Jafar (Aladdin): Difference between revisions

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Template:DisneyChar Jafar (Arabic: جعفر [Ja'far]) is a fictional character, voiced by Jonathan Freeman, and is featured as the primary antagonist in the Disney film Aladdin and its sequel, The Return of Jafar. He is an evil sorcerer and the former Grand Vizier of the Sultan of Agrabah. He does not appear in Aladdin and the King of Thieves since he is defeated in the sequel, but he is mentioned by the Genie, who is seen wearing a mask of Jafar. He is also considered to be the archenemy of Aladdin.

Jafar's name seems to be derived from a character named Jafar or Giafar (Template:Lang-ar) in tales of the Arabian Nights, who is the Vizier to the 9th century Abbasid Caliph Harun al-Rashid; this character in turn was based on a real-life Vizier, Ja'far bin Yahya Barmaki. Harun and Giafar were the protagonists of many stories in Arabian Nights, but Giafar was never presented as a villain. Harun did have the real Ja'far bin Yahya Barmaki beheaded after a dispute arising from allegations that Ja'far had engaged in an affair with the Caliph's sister. The original tale of Aladdin, a Syrian story not originally attached to the Arabian Nights, features two characters who correspond to Disney's Jafar. One is an unnamed Vizier who is jealous of Aladdin but does not serve as a real villain; the other is the major antagonist, an evil magician from the Maghreb in North Africa who introduces Aladdin to his magical lamp. Another inspiration to the character is the villain Jaffar, played by Conrad Veidt in The Thief of Bagdad, from which Aladdin borrows several character ideas and plot elements. The Jafar of Disney's Aladdin plays essentially the same part as the character from the 1940s movie, and is drawn with notable similarity to Conrad Veidt's looks.^[1]

Patrick Stewart was originally offered the role of Jafar, but scheduling conflicts with Star Trek: The Next Generation forced him to turn down the role. He has said in interviews that this is his biggest regret in his career, and in the top three of biggest regrets of his life.^[2]

Animator Andreas Deja decided to design Jafar in a way he was contrasting to the other characters, with many vertical lines against the curvy designs based on Al Hirschfeld.^[3] When Deja first met Jonathan Freeman, he was surprised to see the lack of physical similarity to the character - but also englobed some of Freeman's acting and gesturing into Jafar's animation.^[4]

Jafar is similar in appearance and actions to Maleficent. He is tall and thin, wears a long, twisted goatee, and is almost always depicted in flowing robes of black, dark red and other moody colors, giving him an overtly villainous appearance. When he is granted true magical abilities, upon wishing to become the world's most powerful sorcerer, his outfit's angular qualities become more exaggerated, his turban and his wardrobe's shoulders growing into elongated spikes. His golden, cobra-headed staff is also granted unnatural life, its mouth opening to spit spells. Another drastic change occurs when he literally becomes snake-like, transforming into a cobra with the same black and red color scheme. His appearance further, and most drastically, distorts when he wishes to become an all-powerful genie, after which he transforms into a massive, red-skinned entity with talons, glowing yellow eyes and an immense, muscular physique, giving him a devil-like appearance, a direct contrast to the good Genie's soft, blue appearance. In the direct-to-video sequel, Jafar has the ability to change from this fearsome genie form to his original human form, which is notably less conspicuous. Jafar has a pet parrot named Iago, who normally perches on his shoulders or his staff, and who eventually switches sides in The Return of Jafar and kills him by kicking Jafar's lamp into molten magma.

Despite his magical aspirations, Jafar is actually incapable of performing any supernatural feats during the majority of Aladdin. He is shown to be scholarly and learned in arcane lore, his secret chamber filled with strange devices and stacks of tomes, and, as such, he operates more on the level of an alchemist throughout the film’s duration than an actual magician. Instead of casting spells, he relies on previously prepared potions capable of producing magical phenomena; smashing a vial of red liquid onto the floor, for example, in order to create a cloud of smoke to escape from the Sultan's guard. He relies heavily on certain relics in his possession, such as his snake-headed staff which is capable, through its enchanted ruby eyes, of hypnotizing people; although this is destroyed by Aladdin when he reveals Jafar's treachery to the Sultan, it is recreated when he wishes to become the world's most powerful sorcerer. A gigantic hourglass which he keeps in his study also serves as a crystal ball for him, granting him the ability to see the outside world. He is also a master of disguise, assuming the appearance of an old beggar man in order to gain Aladdin’s confidence. He operates largely through his underworld connections, such as with the thief, Gazeem, as well as his position of authority within the palace, which places the entire Royal Guard under his command.

His inability to perform real magic is primarily what drives Jafar to search for the Genie’s magical lamp, and after achieving it, his second wish is to become the world’s most powerful sorcerer. After he makes this wish, he is noticeably able to perform a radical assortment of spells on a mere whim, such as manipulating physical bodies, levitating objects, materializing weaponry from thin air, spitting fire and, most impressively, shapeshifting into a giant Indian Cobra. He also reverts Aladdin's first wish by the Genie, transforming Abu back into a monkey and revealing his true identity to Jasmine. During this stage, he is never again forced to rely on his talismans, potions, or disguises.

In The Return of Jafar he is depicted as being a genie of almost unlimited power, easily defeating the Genie with a musical number ("You're Only Second Rate") and imprisoning him in a magical orb, as well as being completely immune to everything Genie threw at him. He can project fireballs, shapeshift without limit (including the form of his original human self, which he stays in for the majority of the film), fly, teleport, breathe underwater, and conjure mass amounts of gold and treasure from thin air. It is also worth noting that, unlike Genie before he was freed, Jafar is able to cast large-scale magic that greatly affects the world around him without his current master wishing for him to do so beforehand, such as the lake of magma he opens up in an attempt to kill Aladdin near the end of the film. Though he seems to be bound by the same rules as the Genie (most notably being unable to kill), Jafar easily finds ways around these limitations, such as transporting Abis Mal underwater when he wishes for sunken treasure and threatening to let him drown, or tricking Jasmine (who found the Sultan's slashed turban in Aladdin's room, unaware that Jafar put it there) and the Agrabah soldiers into executing Aladdin. Although he is forced to find ways around his inability to kill anyone, Jafar shows very little displeasure towards this weakness. When reminded of this weakness by Abis Mal, he merely replies that "you'd be surprised what you can live through..." His only true weakness is his black lamp, as he, and any other genie, will die if the lamp is destroyed before they are freed.

In Hercules and the Arabian Night, Jafar has lost his status as a genie. However, he is still able to perform magic with his staff, although it is nowhere near as good as when he was the world's most powerful sorcerer (although he still claimed that he is "the greatest sorcerer the world has ever known"). Here, he is able to summon giant monsters, fire red energy blasts with his staff, and shapeshift into the old man from the first Aladdin film at will (the form that tricked Aladdin to venture into the Cave of Wonders), and freeze things in blocks of ice. It seems likely that this magic was provided by Hades when he resurrected him. This time around, his weakness is the new snake-headed staff that Hades provides for him, as he is only corporeal while he holds it and will effectively die if the staff is destroyed.

In the first film, Jafar tries to use Genie's powers to take over Agrabah, first wishing to become the sultan, and then the most powerful sorcerer in the world. After battling Aladdin with his questionable sense of humor, Jafar transforms himself into a giant cobra in an attempt to kill Aladdin, but just as Jafar is squeezing him to death, Aladdin tricks Jafar into using his third and final wish to become an all-powerful genie. In Western culture, genies are almost always portrayed as being confined to small oil lamps until they are released to do a human's bidding; Jafar is therefore trapped by his own wish for power.

Jafar is more of a present part of the plot than other Disney villains, especially during the era in which he was created, with proportionately more airtime than most other Disney villains. Many scenes featuring Aladdin are mirrored with scenes featuring Jafar, back to back, in which one can see Jafar's interactions with other characters, giving the viewer a more "personal" experience with the villain. His unique characteristics compared to most Disney villains are probably the reason that he lived at the end of his movie, at the same time arguing with Iago ("Get your blasted beak out of my face!" "Oh, shut up, you moron!" "Don't tell me to shut up!").

In The Return of Jafar, the now-genie Jafar is released by Abis Mal, and, after cunningly making Abis-Mal waste his first two wishes, threatens Abis into helping him. His plan included kidnapping (and in some instances, replacing) the royal family and framing Aladdin for the Sultan's "death," which would have caused him to be beheaded, but (with help from a reformed Iago) the heroes manage to escape. When Jafar discovers this, he opens up a volcanic fissure into the earth in order to destroy Aladdin and the others (though it is debatable whether or not this would have killed them, as it is made clear that genies are unable to kill anyone or anything, regardless of whether or not their masters want them to). Believing to have won, Jafar is surprised to see Iago genuinely helping the heroes and shoots down his former ally with a fireball as Iago grabs the lamp and attempts to give it to Aladdin. A badly injured Iago manages to kick the lamp into the lava, melting the lamp into nothingness. Screaming in a mixture of anger, fear, and pain, Jafar fades to a skeletal form and violently implodes into a cloud of dust. Although he never appeared in the series made after the movie, Jafar was mentioned a few times, even in episodes involving the evil teenage sorcerer Mozenrath, whom he was often compared with.

“Hello, Aladdin. Remember me? Just another blast from your past!” Jafar to Aladdin in 'Hercules and the Arabian Night'

Jafar later made one more attempt at revenge in an episode ("Hercules and the Arabian Night") of Disney's Hercules TV-show spinoff, where he is temporarily resurrected by Hercules's arch-enemy, Hades, although he lost his status as an all-powerful immortal genie when he died (presumably, this was intentional on part of the show's creators in order to avoid having to deal with an unstoppable Jafar). Hades gives him a new cobra staff that makes him flesh and blood as long as he holds it, and the two villains team up to get rid of Aladdin and Hercules by having them fight against each other, but their plan fails and Jafar ends up dead again when Hercules snaps his staff in half. He slowly turns back into a ghost, and as he's standing in the river, the souls pull on his clothes and drag him down with them into the River Styx. Afterwards, he has not at this point made any reappearances in the official Aladdin continuity.

As far as Jafar's family goes, he has a fraternal twin sister named Nasira (who never appeared in the movies and series) who tried bringing her brother back to life in the game Nasira's Revenge. Jafar's sister is very similar both in appearance and actions as Maleficent. She respects Jafar and the sibling bond between them is very strong.

Jafar's Japanese voice actor in all these games is Akira Takarada. He is voiced by Jonathan Freeman in the English version of the games. Jafar and Maleficent seem to be close friends in Kingdom Hearts.

Jafar debuted as one of the members of Maleficent's inner circle. Here, he plans to use the Heartless and take over Agrabah. Eventually, Jafar kidnaps Princess Jasmine, one of the seven Princesses of Heart. Aladdin tries to save her by using a wish, but Iago then steals the lamp and gives it to Jafar. Jafar tries to kill Sora by sending the Pot Centipede Heartless after him while he makes his way to the Cave of Wonders. He uses his magic to control the Cave of Wonders Guardian. Inside the Cave of Wonders, Jafar makes his first wish to show Agrabah's Keyhole.^[5] Then, at Jafar's boss fight, he makes his second wish to make Genie crush Sora and the gang. Genie then reluctantly fights alongside Jafar against Sora and friends.^[6] During this fight, Jafar typically stands on one of the stone blocks located around the area and attacks from above with a continuous beam of lightning and a large ice storm in the center area of the room, occasionally drifting down for a more personal assault with his staff. After he is damaged enough in these confrontations, he turns into a ball of light and floats away, then resumes human form to continue the cycle again. In addition, when hit with Gravity magic, Jafar forms a protective shield around himself. After a brief moment of peace, Jafar makes his third wish to become a powerful genie and sinks into an underground lava filled chamber in which his boss fight takes place, throwing large spheres of lava at the party, and firing beams of magic from his eyes. His only vulnerable point is his lamp (carried by Iago), and following his defeat, Sora pulls him back into his lamp, but discovers too late that Jasmine is gone, having been taken away by Riku. After his defeat, Hades (meeting with Maleficent, Captain Hook, and Riku) comments that Jafar would have succeeded if Riku had assisted. Maleficent, however, explains that Jafar was beyond help and was consumed by his own hatred. She also warns Hades not to follow the same path.^[7] In the Kingdom Hearts manga, Jafar is somewhat afraid or intimidated by Maleficent,^[8] but quickly disregards her once he transforms into a genie.^[9]

Jafar appears in Kingdom Hearts: Chain of Memories with the Heartless to take over a facsimile of Agrabah created from Sora's memories. In order to get the lamp, he tricks Aladdin to get the lamp so he could make Jasmine marry him.^[10] Jafar's first wish is to obtain Jasmine in hopes of becoming King of Agrabah.^[11] Elsewhere, he makes his second wish to make Genie protect him from a sneak attack, which was actually planned by Aladdin to have Jafar waste the wish.^[12] Jafar's third and final wish is to become a genie.^[13] He teleports the gang to a room filled with lava and attacks by throwing magma rocks, shooting lasers and pounding his fists. He is unique in that he is the only boss that cannot be directly attacked; the player must attack Iago, who carries the lamp, when the platforms rise to an appropriate height. In the end, Jafar is defeated. In Riku's perspective, he appears as a boss that has to be defeated.

In Kingdom Hearts II, Jafar's lamp is found by the Peddler, making him a target for Pete, who intends to make Jafar into a Heartless under his control.^[14] But Sora and gang manage to take the lamp and seal it in hope Jafar would never reappear. But that is not to be when the Peddler discovers the lamp's hiding place and releases Jafar. After forcing Iago to keep Sora occupied with a magical clone of himself, Jafar kidnaps Jasmine. But Sora, Donald, Goofy, Aladdin and Iago escape the ruins and appear at the Palace to save Jasmine, with Iago taking the fireball that Jafar aimed at Aladdin (he survives, due to the fact that Jafar's a genie and genies can't kill). Jafar then takes to the skies in another attempt to destroy Agrabah, having Sora pursue him into the sky on Carpet. After an intense airborne battle, Sora destroys him, his mystical body damaged enough to explode, and Jafar's lamp is no more.

Jafar's attacks during this battle include projecting fireballs, temporarily paralyzing Sora with a flash of energy from his eyes, and teleporting both to another dimension and levitating numerous buildings to throw at Sora.

Jafar also appears at the Walt Disney Parks and Resorts as a meetable character.

In the Disney's Hollywood Studios version of Fantasmic! Nighttime Show Spectacular, Jafar is one of the villains The Queen evokes to fight Mickey Mouse and ruin his imagination. Like the movie, Jafar turns into a giant Cobra. When Mickey finds a lamp, he rubs it assuming it'll help, but Jafar instead changes into a Genie. Jafar then responds by calling Hades and Chernabog to help the rest of the villains. Mickey eventually destroys him with the rest of the villains after killing the dragon version of Maleficent.

Jafar appears with Ursula the Sea Witch, Oogie Boogie and Maleficent in Walt Disney World's Magic Kingdom halloween-themed fireworks program HalloWishes at Mickey's Not-So-Scary Halloween Party.

Jafar is featured in several episodes of Disney's House of Mouse. He also appears briefly in Mickey's Magical Christmas: Snowed in at the House of Mouse, and acts as the leader of the Disney villains in Mickey's House of Villains.

Jafar also briefly appears in a cutaway gag in the Family Guy episode "Lois Kills Stewie" in a fictional film mentioned by Stewie called "Aladdin 4: Jafar May Need Glasses", referencing the sub-par nature of straight to video Disney films. However, Jonathan Freeman did not reprise his voice and it was done without his usual sinister tone. Also he has a slightly larger appearance and his cape is missing.

Although not directly referred to, there are similarities between Jafar's defeat in Aladdin and the defeat of the villain Freakshow in the Danny Phantom special Reality Trip, as in both cases the hero- Aladdin in Jafar's case and Danny Phantom for Freakshow- defeated a nigh-omnipotent villain by tricking him into transforming into a more powerful entity that nevertheless possessed a crucial weakness the hero could exploit (In Freakshow's case, just as Jafar was confined to a lamp after turning himself into a genie, Freakshow turned himself into a ghost and was thus captured by the ghost-catching Fenton Thermos).

• Aladdin (film)
• The Return of Jafar
• "Hercules and the Arabian Night"

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