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{{about}}
{{italic title}}
[[File:Braque Family Triptych closed WGA.jpg|thumb|The outer panels of [[Rogier van der Weyden]]'s ''[[The Braque Triptych|Braque Triptych]]'' shows the skull of the patron displayed in the inner panels. The bones rest on a brick, a symbol of his former industry and achievement.<ref>Campbell, Lorne. Van der Weyden. London: Chaucer Press, 2004. 89. {{ISBN|1-904449-24-7}}</ref>]]

[[File:Edinburgh. St. Cuthbert's Churchyard. Grave of James Bailie. Detail.jpg|thumb|''Memento mori''. Gravestone inscription (1746). [[Edinburgh]]. [[St Cuthbert's Church, Edinburgh|St. Cuthbert's Churchyard]].]]

'''''Memento mori''''' ([[Latin]]: "remember death")<ref name='oed'>[http://www.oxforddictionaries.com/definition/english/memento-mori Literally 'remember (that you have) to die'], [[Oxford English Dictionary]], Third Edition, June 2001.</ref> is the medieval [[Latin Christian]] theory and practice of reflection on mortality, especially as a means of considering the [[Vanitas|vanity of earthly life]] and the [[transient nature of all earthly goods]] and pursuits. It is related to the ''[[ars moriendi]]'' ("The Art of Dying") and similar Western literature. ''Memento mori'' has been an important part of ascetic disciplines as a means of perfecting the character by cultivating detachment and other virtues, and by turning the attention towards the immortality of the soul and the afterlife.<ref>See Jeremy Taylor, ''[[Holy Living and Holy Dying]]''.</ref>

In art, ''memento mori'' are artistic or symbolic reminders of mortality.<ref name='oed' /> In the European [[Christian art]] context, "the expression [...] developed with the growth of Christianity, which emphasized Heaven, Hell, and [[salvation]] of the soul in the afterlife".<ref>{{cite web|title=Final Farewell: The Culture of Death and the Afterlife|url=http://maa.missouri.edu/exhibitions/finalfarewell/mementointro.html|publisher=Museum of Art and Archaeology, University of Missouri|accessdate=13 January 2015|archiveurl=https://web.archive.org/web/20100606051921/http://maa.missouri.edu/exhibitions/finalfarewell/mementointro.html|archivedate=2010-06-06}}</ref>

==Pronunciation and translation==
In English, the phrase is pronounced {{IPAc-en|m|ə|ˈ|m|ɛ|n|t|oʊ|_|ˈ|m|ɔr|i}}, {{respell|mə|MEN|toh|_|MOR|ee}}.

''Memento'' is the [[wikt:second-person singular|2nd person singular]] [[Future tense|future]] [[Active voice|active]] [[Imperative mood|imperative]] of ''meminī'', "to remember, to bear in mind", usually serving as a warning: "remember!" ''Mori'' is the [[Present tense|present]] [[Active voice|active]] [[infinitive]] of the [[deponent verb]] ''morior'', literally "to die".<ref>Charlton T. Lewis, Charles Short, ''[[A Latin Dictionary]]'', ''ss.vv.''</ref>

In other words, "remember death" or "remember that you will die".<ref>''[[Oxford English Dictionary]]'', Third Edition, ''[http://www.oed.com/view/Entry/233960 s.v.]''</ref>

==History of the concept==

===In classical antiquity===
[[Plato]]'s ''[[Phaedo]]'', where the death of [[Socrates]] is recounted, introduces the idea that the proper practice of philosophy is "about nothing else but dying and being dead".<ref>''Phaedo'', 64a4.</ref> The [[Stoics]] of [[classical antiquity]] were particularly prominent in their use of this discipline, and [[Seneca the Younger|Seneca]]'s letters are full of injunctions to meditate on death.<ref>See his [[Epistulae morales ad Lucilium|''Moral Letters to Lucilius'']].</ref> The Stoic [[Epictetus]] told his students that when kissing their child, brother, or friend, they should remind themselves that they are mortal, curbing their pleasure, as do "those who stand behind men in their triumphs and remind them that they are mortal"<ref>Epictetus, Discourses, 3.24</ref>

===In early Christianity ===
The 2nd-century CE Christian writer [[Tertullian]] claimed that during his [[Roman triumph|triumphal procession]], a victorious general would have someone (in later versions, a slave) standing behind him, holding a crown over his head and whispering "Respice post te. Hominem te memento" ("Look after you [to the time after your death] and remember you're [only] a man."). Though in modern times this has become a standard [[Trope (literature)|trope]], in fact no ancient authors attest to this, and it may have been Christian moralizing rather than an accurate historical report.<ref>[[Mary Beard (classicist)|Mary Beard]], ''The Roman Triumph'', [[Harvard University Press]], 2009, {{ISBN|0674032187}}, p. 85–92</ref>

===In Europe from the Medieval era to the Victorian era===
[[File:Dance of Death (replica of 15th century fresco; National Gallery of Slovenia).jpg|300px|thumb|''[[Danse Macabre|Dance of Death]]'' (15th-century fresco). No matter one's station in life, the Dance of Death unites all.]]
[[File:TombStJohnsChester.JPG|thumb|upright|Unshrouded skeleton on [[Diana Warburton]]'s tomb (dated 1693) in [[St John the Baptist's Church, Chester|St John the Baptist Church]], [[Chester]]]]
The thought was then utilized in [[Christianity]], whose strong emphasis on [[divine judgment]], [[Heaven (Christianity)|heaven]], [[Hell in Christian beliefs|hell]], and the [[Salvation in Christianity|salvation of the soul]] brought death to the forefront of consciousness.<ref>Christian Dogmatics, Volume 2 (Carl E. Braaten, Robert W. Jenson), page 583</ref> All ''memento mori'' works are products of [[Christian art]].<ref>Christian Art (Rowena Loverance), Harvard University Press, page 61</ref> In the Christian context, the ''memento mori'' acquires a moralizing purpose quite opposed to the ''[[nunc est bibendum]]'' (now is the time to drink) theme of [[classical antiquity]]. To the Christian, the prospect of death serves to emphasize the emptiness and fleetingness of earthly pleasures, luxuries, and achievements, and thus also as an invitation to focus one's thoughts on the prospect of the afterlife. A Biblical injunction often associated with the ''memento mori'' in this context is ''In omnibus operibus tuis memorare novissima tua, et in aeternum non peccabis'' (the [[Vulgate]]'s Latin rendering of [[Sirach|Ecclesiasticus]] {{bibleverse-nb||Ecclesiasticus|7:40}}, "in all thy works be mindful of thy last end and thou wilt never sin.") This finds ritual expression in the rites of [[Ash Wednesday]], when ashes are placed upon the worshipers' heads with the words, "Remember Man that you are dust and unto dust you shall return."

[[File:Le Transi de René de Chalon (Ligier Richier).jpg|thumb|upright|[[Prince of Orange]] [[René of Châlon]] died in 1544 at age 25. His widow commissioned sculptor Ligier Richier to represent in the [[Cadaver Tomb of René of Chalon]] which shows him offering his heart to God, set against the painted splendour of his former worldly estate. Church of Saint-Étienne, [[Bar-le-Duc]].]]
The most obvious places to look for ''memento mori'' meditations are in funeral art and [[architecture]]. Perhaps the most striking to contemporary minds is the ''transi'' or ''[[cadaver tomb]]'', a tomb that depicts the decayed [[Dead body|corpse]] of the deceased. This became a fashion in the tombs of the wealthy in the fifteenth century, and surviving examples still create a stark reminder of the vanity of earthly riches. Later, [[Puritan]] [[tomb stone]]s in the colonial United States frequently depicted winged skulls, skeletons, or [[angel]]s snuffing out candles. These are among the numerous [[Skull (mythology)|themes associated with skull imagery]].

Another example of ''memento mori'' is provided by the chapels of bones, such as the [[Capela dos Ossos]] in [[Évora]] or the [[Capuchin Crypt]] in Rome. These are chapels where the walls are totally or partially covered by human remains, mostly bones. The entrance to the Capela dos Ossos has the following sentence: "We bones, lying here bare, await yours."

The ''[[danse macabre]]'' is another well-known example of the ''memento mori'' theme, with its dancing depiction of the [[Death (personification)|Grim Reaper]] carrying off rich and poor alike. This and similar depictions of Death decorated many European churches. ''Danse Macabre'', Op. 40, is a tone poem for orchestra written in 1874 by French composer [[Camille Saint-Saëns]].

Timepieces were formerly an apt reminder that your time on Earth grows shorter with each passing minute. Public [[clock]]s would be decorated with mottos such as ''ultima forsan'' ("perhaps the last" [hour]) or ''vulnerant omnes, ultima necat'' ("they all wound, and the last kills"). Even today, clocks often carry the motto ''[[tempus fugit]]'', "time flees". Old striking clocks often sported [[automaton|automata]] who would appear and strike the hour; some of the celebrated automaton clocks from [[Augsburg]], Germany had Death striking the hour. The several computerized "[[death clock]]s" revive this old idea. Private people carried smaller reminders of their own mortality. [[Mary, Queen of Scots]] owned a large watch carved in the form of a [[silver]] skull, embellished with the lines of Horace, "Pale death knocks with the same tempo upon the huts of the poor and the towers of Kings."

In the late 16th and through the 17th century, ''memento mori'' rings were made.<ref name=Taylor>{{cite book |title=Finger Rings From Ancient Egypt to the Present Day |last=Taylor |first=Gerald |last2=Scarisbrick |first2=Diana |year=1978 |publisher=[[Ashmolean Museum]] |isbn=0-900090-54-5 |page=76}}</ref>

A version of the theme in the artistic genre of still life is more often referred to as a ''[[vanitas]]'', Latin for "vanity". These include symbols of mortality, whether obvious ones such as skulls or more subtle ones such as a flower losing its petals. See the themes associated with [[Skull (symbolism)|the image of the skull]].
[[File:Young Man with a Skull, Frans Hals, National Gallery, London.jpg|thumb|left|upright|[[Frans Hals]], ''[[Young Man with a Skull]]'', c. 1626–28]]
[[File:StillLifeWithASkull.jpg|thumb|right|[[Philippe de Champaigne]]'s ''[[Vanitas]]'' (c.&nbsp;1671) is reduced to three essentials: Life, Death, and Time]]

''Memento mori'' is also an important literary theme. Well-known literary meditations on death in English prose include Sir [[Thomas Browne]]'s ''[[Hydriotaphia, Urn Burial]]'' and [[Jeremy Taylor]]'s ''[[Holy Living and Holy Dying]]''. These works were part of a [[Jacobean era|Jacobean]] [[melancholia|cult of melancholia]] that marked the end of the [[Elizabethan era]]. In the late eighteenth century, literary [[elegy|elegies]] were a common genre; [[Thomas Gray]]'s ''[[Elegy Written in a Country Churchyard]]'' and [[Edward Young]]'s ''Night Thoughts'' are typical members of the genre.

Apart from the genre of [[Music for the Requiem Mass|requiem]] and funeral music, there is also a rich tradition of ''memento mori'' in the [[Early Music]] of Europe. Especially those facing the ever-present death during the recurring [[bubonic plague]] [[pandemic]]s from the 1340s onward tried to toughen themselves by anticipating the inevitable in chants, from the simple [[Geisslerlieder]] of the [[Flagellant]] movement to the more refined cloistral or courtly songs. The lyrics often looked at life as a necessary and god-given [[vale of tears]] with death as a ransom, and they reminded people to lead sinless lives to stand a chance at [[Last Judgment|Judgment Day]]. The following two Latin stanzas (with their English translations) are typical of ''memento mori'' in medieval music; they are from the [[virelai]] ''ad mortem festinamus'' of the Catalan [[Llibre Vermell de Montserrat]] from 1399:
{{clear left}}
:''Vita brevis breviter in brevi finietur'',
:''Mors venit velociter quae neminem veretur'',
:''Omnia mors perimit et nulli miseretur.''
:''Ad mortem festinamus peccare desistamus.''

::Life is short, and shortly it will end;
::Death comes quickly and respects no one,
::Death destroys everything and takes pity on no one.
::To death we are hastening, let us refrain from sinning.

[[File:French - Pendant with a Monk and Death - Walters 71461.jpg|thumb|upright|French 16th/17th-century [[ivory]] [[pendant]], [[Monk]] and Death, recalling mortality and the certainty of death ([[Walters Art Museum]])]]
:''Ni conversus fueris et sicut puer factus''
:''Et vitam mutaveris in meliores actus,''
:''Intrare non poteris regnum Dei beatus.''
:''Ad mortem festinamus peccare desistamus.''

::If you do not turn back and become like a child,
::And change your life for the better,
::You will not be able to enter, blessed, the Kingdom of God.
::To death we are hastening, let us refrain from sinning.

===The salutation of the Hermits of St. Paul of France===
''Memento mori'' was the salutation used by the [[Hermits of St. Paul of France]] (1620-1633), also known as the Brothers of Death.<ref>F. McGahan, "Paulists", ''[[The Catholic Encyclopedia]]'', 1912, ''[[s.v.]]'' Paulists</ref> It is sometimes claimed that the [[Trappists]] use this salutation, but this is not true.<ref>E. Obrecht, "Trappists", ''The Catholic Encyclopedia'', 1912, ''s.v.'' Trappists</ref>

[[File:Self-Portrait by Thomas Smith circa 1680.jpg|upright|thumb|[[Thomas Smith (American painter)|Thomas Smith]]'s ''Self-Portrait'']]

===In Puritan America===
[[Colonial American art]] saw a large number of ''memento mori'' images due to [[Puritan]] influence. The Puritan community in 17th-century North America looked down upon art because they believed that it drew the faithful away from God and, if away from God, then it could only lead to the devil. However, portraits were considered historical records and, as such, they were allowed. [[Thomas Smith (American painter)|Thomas Smith]], a 17th-century Puritan, fought in many naval battles and also painted. In his self-portrait, we see these pursuits represented alongside a typical Puritan ''memento mori'' with a skull, suggesting his awareness of imminent death.

The poem underneath the skull emphasizes Thomas Smith's acceptance of death and of turning away from the world of the living:

<blockquote>Why why should I the World be minding, Therein a World of Evils Finding. Then Farwell World: Farwell thy jarres, thy Joies thy Toies thy Wiles thy Warrs. Truth Sounds Retreat: I am not sorye. The Eternall Drawes to him my heart, By Faith (which can thy Force Subvert) To Crowne me (after Grace) with Glory.</blockquote>

===Mexico's Day of the Dead===
[[File:Posada2.Catrina.jpeg|thumb|left|[[José Guadalupe Posada|Posada's]] 1910 ''[[La Calavera Catrina]]'']]
Much ''memento mori'' art is associated with the [[Mexican culture|Mexican festival]] [[Day of the Dead]], including skull-shaped candies and bread loaves adorned with bread "bones."

This theme was also famously expressed in the works of the Mexican engraver [[José Guadalupe Posada]], in which people from various walks of life are depicted as skeletons.

[[File:Calavera_garbancera.png|thumb|[[José Guadalupe Posada|Posada's]] ''[[Calavera Garbancera]]'']]
Another manifestation of ''memento mori'' is found in the Mexican "Calavera", a literary composition in verse form normally written in honour of a person who is still alive, but written as if that person were dead. These compositions have a comedic tone and are often offered from one friend to another during [[Day of the Dead]].<ref>Stanley Brandes. "Skulls to the Living, Bread to the Dead: The Day of the Dead in Mexico and Beyond". Chapter 5: The Poetics of Death. John Wiley & Sons, 2009</ref>

==Similar concepts in other religions and cultures==
===In Buddhism===
The Buddhist practice [[Maranasati|''maraṇasati'']] meditates on death. The word is a Pāli compound of ''maraṇa'' 'death' (an Indo-European cognate of Latin ''mori'') and ''sati'' 'awareness', so very close to ''memento mori''. It is first used in early Buddhist texts, the [[Sutta Pitaka|suttapiṭaka]] of the [[Pāli Canon]], with parallels in the [[Āgama (Buddhism)|āgamas]] of the "Northern" Schools.

===In Japanese Zen and samurai culture===
In Japan, the influence of [[Zen]] Buddhist contemplation of death on indigenous culture can be gauged by the following quotation from the classic treatise on [[samurai]] ethics, ''[[Hagakure]]'':<ref>See a [http://themathesontrust.org/library/hagakure-book-of-the-samurai revised selection here].</ref>

<blockquote>The Way of the Samurai is, morning after morning, the practice of death, considering whether it will be here or be there, imagining the most sightly way of dying, and putting one's mind firmly in death. Although this may be a most difficult thing, if one will do it, it can be done. There is nothing that one should suppose cannot be done.<ref>See [http://www.urbandharma.org/kusala/dad.html "A Buddhist Guide to Death, Dying and Suffering"].</ref></blockquote>

In the annual appreciation of cherry blossom and fall colours, ''[[hanami]]'' and ''[[Leaf peeping|momijigari]]'', the samurai philosophised that things are most splendid at the moment before their fall, and to aim to live and die in a similar fashion.{{citation needed|date=June 2018}}

=== In Tibetan Buddhism ===
[[File:Tibetan Mask.jpg|thumb|Tibetan [[Citipati (Buddhism)|Citipati]] mask depicting [[Mahākāla]]. The skull mask of Citipati is a reminder of the impermanence of life and the eternal cycle of life and death.]]
In Tibetan Buddhism, there is a mind training practice known as [[Lojong]]. The initial stages of the classic Lojong begin with 'The Four Thoughts that Turn the Mind', or, more literally, 'Four Contemplations to Cause a Revolution in the Mind'.<ref>http://www.rigpawiki.org/index.php?title=Four_thoughts</ref> The second of these four is the contemplation on impermanence and death. In particular, one contemplates that;
* All compounded things are impermanent.
* The human body is a compounded thing.
* Therefore, death of the body is certain.
* The time of death is uncertain and beyond our control.

There are a number of classic verse formulations of these contemplations meant for daily reflection to overcome our strong habitual tendency to live as though we will certainly not die today.

==== Lalitavistara Sutra ====
The following is from the [[Lalitavistara Sūtra]], a major work in the classical Sanskrit canon:

अध्रुवं त्रिभवं शरदभ्रनिभं नटरङ्गसमा जगिर् ऊर्मिच्युती। गिरिनद्यसमं लघुशीघ्रजवं व्रजतायु जगे यथ विद्यु नभे॥
The three worlds are fleeting like autumn clouds.
Like a staged performance, beings come and go.
In tumultuous waves, rushing by, like rapids over a cliff.
Like lightning, wanderers in samsara burst into existence, and are gone in a flash.

ज्वलितं त्रिभवं जरव्याधिदुखैः मरणाग्निप्रदीप्तमनाथमिदम्। भवनि शरणे सद मूढ जगत् भ्रमती भ्रमरो यथ कुम्भगतो॥
Beings are ablaze with the sufferings of sickness and old age,
And with no defence against the conflagration of Death
The bewildered, seeking refuge in worldly existence
Spin round and round, like bees trapped in a jar.<ref>[http://read.84000.co/translation/UT22084-046-001.html Lalitavistara Sutra]</ref>

==== The Udānavarga ====
A very well known verse in the Pali, Sanskrit and Tibetan canons states [this is from the Sanskrit version, the Udānavarga:

सर्वे क्षयान्ता निचयाः पतनान्ताः समुच्छ्रयाः |
सम्योगा विप्रयोगान्ता मरणान्तं हि जीवितम् |1,22|
All that is acquired will be lost
What rises will fall
Where there is meeting there will be separation
What is born will surely die.<ref>Udānavarga, 1:22.</ref>

==== Shantideva, Bodhicaryavatara ====
[[Shantideva]], in the [[Bodhisattvacaryāvatāra]] 'Bodhisattva's Way of Life' reflects at length:

कृताकृतापरीक्षोऽयं मृत्युर्विश्रम्भघातकः।
स्वस्थास्वस्थैरविश्वास्य आकमिस्मकमहाशनि:॥ २/३४॥
Death does not differentiate between tasks done and undone.
This traitor is not to be trusted by the healthy or the ill,
for it is like an unexpected, great thunderbolt. BCA 2.33

अप्रिया न भविष्यन्ति प्रियो मे न भविष्यति।
अहं च न भविष्यामि सर्वं च न भविष्यति॥२/३७॥
My enemies will not remain, nor will my friends remain.
I shall not remain. Nothing will remain. BCA 2:35

तत्तत्स्मरणताम याति यद्यद्वस्त्वनुभयते।
स्वप्नानुभूतवत्सर्वं गतं न पूनरीक्ष्यते॥२/३६॥
Whatever is experienced will fade to a memory.
Like an experience in a dream,
everything that has passed will not be seen again. BCA 2:36

रात्रिन्दिवमविश्राममायुषो वर्धते व्ययः।
आयस्य चागमो नास्ति न मरिष्यामि किं न्वहम्॥२/४०
Day and night, a life span unceasingly diminishes,
and there is no adding onto it. Shall I not die then? BCA 2:39

यमदूतैर्गृहीतस्य कुतो बन्धुः कुतः सुह्रत्। पुण्यमेकं तदा त्राणं मया तच्च न सेवितम्॥२/४१॥
For a person seized by the messengers of Death,
what good is a relative and what good is a friend?
At that time, merit alone is a protection,
and I have not applied myself to it. BCA 2:41

==== In more modern Tibetan Buddhist works====

In a practice text written by the 19th century Tibetan master '''[[Dudjom Lingpa]]''' for serious meditators, he formulates the second contemplation in this way.<ref>"Foolish Dharma of an Idiot Clothed in Mud and Feathers, in 'Dujdom Lingpa's Visions of the Great Perfection, Volume 1', B. Alan Wallace (translator), Wisdom Publications"</ref><ref>http://www.wisdompubs.org/book/natural-liberation&usg=AOvVaw1Z7bVFdFdlEfoPdRSHHnXc</ref> An oral commentary by the translator is available on YouTube here.<ref>https://www.youtube.com/watch?v%3DPjVFPj32OoI&usg=AOvVaw1yy8WwuFRkqWm5MKyD28-X</ref>
''"On this occasion when you have such a bounty of opportunities in terms of your body, environment, friends, spiritual mentors, time, and practical instructions, without procrastinating until tomorrow and the next day, arouse a sense of urgency, as if a spark landed on your body or a grain of sand fell in your eye. If you have not swiftly applied yourself to practice, examine the births and deaths of other beings and reflect again and again on the unpredictability of your lifespan and the time of your death, and on the uncertainty of your own situation. Meditate on this until you have definitively integrated it with your mind... The appearances of this life, including your surroundings and friends, are like last night’s dream, and this life passes more swiftly than a flash of lightning in the sky.
There is no end to this meaningless work. What a joke to prepare to live forever!
Wherever you are born in the heights or depths of saṃsāra, the great noose of suffering will hold you tight.
Acquiring freedom for yourself is as rare as a star in the daytime, so how is it possible to practice and achieve liberation? The root of all mind training and practical instructions is planted by knowing the nature of existence. There is no other way.I, an old vagabond, have shaken my beggar’s satchel, and this is what came out."''

The contemporary Tibetan master, '''Yangthang Rinpoche''', in his short text 'Summary of the View, Meditation, and Conduct':<ref>The English text is available [http://meridian-trust.org/meridian_site/wp-content/uploads/2017/09/A-Summary-of-the-View-Meditation-and-Conduct.pdf here.] The Tibetan text is available [http://www.lotsawahouse.org/bo/tibetan-masters/yangthang-rinpoche/view-meditation-action here.] Oral Commentary by a student of Rinpoche, B. Alan Wallace, is available [http://meridian-trust.org/video/a-summary-of-the-view-meditation-and-conduct-of-dzogchen-1-of-2-b-alan-wallace/ here.]</ref>

''།ཁྱེད་རྙེད་དཀའ་བ་མི་ཡི་ལུས་རྟེན་རྙེད། །སྐྱེ་དཀའ་བའི་ངེས་འབྱུང་གི་བསམ་པ་སྐྱེས། །མཇལ་དཀའ་བའི་མཚན་ལྡན་གྱི་བླ་མ་མཇལ། །འཕྲད་དཀའ་བ་དམ་པའི་ཆོས་དང་འཕྲད།
འདི་འདྲ་བའི་ལུས་རྟེན་བཟང་པོ་འདི། །ཐོབ་དཀའ་བའི་ཚུལ་ལ་ཡང་ཡང་སོམ། རྙེད་པ་འདི་དོན་ཡོད་མ་བྱས་ན། །འདི་མི་རྟག་རླུང་གསེབ་མར་མེ་འདྲ།
ཡུན་རིང་པོའི་བློ་གཏད་འདི་ལ་མེད། །ཤི་བར་དོར་གྲོལ་བའི་གདེངས་མེད་ན། །ཚེ་ཕྱི་མའི་སྡུག་བསྔལ་ཨ་རེ་འཇིགས། །མཐའ་མེད་པའི་འཁོར་བར་འཁྱམས་དགོས་ཚེ།
།འདིའི་རང་བཞིན་བསམ་ན་སེམས་རེ་སྐྱོ། །ཚེ་འདི་ལ་བློ་གདེངས་ཐོབ་པ་ཞིག །ཅི་ནས་ཀྱང་མཛད་རྒྱུ་བཀའ་དྲིན་ཆེ། །འདི་བདག་གིས་ཁྱོད་ལ་རེ་བ་ཡིན།

You have obtained a human life, which is difficult to find,
Have aroused an intention of a spirit of emergence, which is difficult to arouse,
Have met a qualified guru, who is difficult to meet,
And you have encountered the sublime Dharma, which is difficult to encounter.
Reflect again and again on the difficulty Of obtaining such a fine human life.
If you do not make this meaningful,
It will be like a butter lamp in the wind of impermanence.
Do not count on this lasting a long time.''

The Tibetan Canon also includes copious materials on the meditative preparation for the death process and intermediate period [bardo] between death and rebirth. Amongst them are the famous "Tibetan Book of the Dead", in Tibetan ''[[Bardo Thodol]]'', the "Natural Liberation through Hearing in the Bardo".

===In Islam===
The "remembrance of death" ({{lang-ar|تذكرة الموت}}, ''Tadhkirat al-Mawt'') has been a major topic of Islamic spirituality (i.e. "tazkiya" meaning self-purification, or purification of the heart) since the time of the Prophet Muhammad in Medina. It is grounded in the [[Qur'an]], where there are recurring injunctions to pay heed to the fate of previous generations.<ref>For instance, sura "Yasin", 36:31, "Have they not seen how many generations We destroyed before them, which indeed returned not unto them?".</ref> The [[hadith]] literature, which preserves the teachings of Prophet Muhammad, records advice for believers to "remember often death, the destroyer of pleasures."<ref>{{cite web|url=http://sunnah.com/riyadussaliheen/1/579|title=Hadith - The Book of Miscellany - Riyad as-Salihin - Sunnah.com - Sayings and Teachings of Prophet Muhammad (صلى الله عليه و سلم)|publisher=}}</ref> Some [[Sufism|Sufis]] have been called "ahl al-qubur," the "people of the graves," because of their practice of frequenting graveyards to ponder on mortality and the vanity of life, based on the teaching of the Prophet Muhammad to visit graves.<ref>{{cite web|url=http://sunnah.com/abudawud/21/147|title=Hadith - Book of Funerals (Kitab Al-Jana'iz) - Sunan Abi Dawud - Sunnah.com - Sayings and Teachings of Prophet Muhammad (صلى الله عليه و سلم)|publisher=}}</ref> [[Al-Ghazali]] devotes to this topic the last book of his "Revival of the Religious Sciences".<ref>Al-Ghazali on Death and the Afterlife, tr. by [[Timothy Winter|T.J. Winter]]. Cambridge, [[Islamic Texts Society]], 1989.</ref>

==See also==
* ''[[Carpe diem]]''
* ''[[Et in Arcadia ego]]''
* ''[[Sic transit gloria mundi]]''
* ''[[Tempus fugit]]''
* ''[[Ubi sunt]]''
* [[You Only Live Once (disambiguation)]]

==References==
{{reflist|30em}}

==External links==
{{Commons category|Memento mori}}
* [http://www.danemunro.com/arsmoriendi.html ''Memento mori and vanitas elements in the funerary art at St. John's Co-Cathedral, Valletta, Malta''], an article on ''memento mori'' and ars moriendi appearing in the journal ''Treasures of Malta'', December 2004
* [http://themathesontrust.org/subject/death Several articles on this topic at the Matheson Trust Library.]

{{Death and mortality in art}}
{{death}}

{{DEFAULTSORT:Memento Mori}}
[[Category:Christian art about death]]
[[Category:Iconography]]
[[Category:Art genres]]
[[Category:Latin mottos]]
[[Category:Latin words and phrases]]

Revision as of 17:06, 18 October 2018

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