Warsaw Autumn

Warsaw Autumn
Warszawska Jesień
Warsaw Autumn; Warszawska Jesień
	Sculpture Warsaw Autumn (treble clef) by Karol Tchorek (1976)
Genre	Experimental music, contemporary classical music
Dates	September
Location(s)	Poland
Years active	1956, 1958–1981, 1983–present
Founders	Tadeusz Baird and Kazimierz Serocki, Head Board of the Polish Composers' Union
Website	warszawska-jesien.art.pl

Warsaw Autumn (Polish: Warszawska Jesień) is the largest international Polish festival of contemporary music. It was established in 1956 by two composers, Tadeusz Baird and Kazimierz Serocki, and officially established by the Head Board of the Polish Composers' Union. It is an annual event, normally taking place in the second half of September and lasts for 8 days.

History

The first festival took place in 10–20 October 1956. In 1957 and 1982 there was no festival.

The first years of the festival, reaching back to the late 1950s, was a period of particular magnificence. From the beginning of its existence the festival's program foundations were clear. The festival's leading aim was (and is) to present new music from Poland and around the world. Adrian Thomas notes that the music performed at Warsaw Autumn between 1958 and 1961 "clearly charts the process of informing Polish audiences and composers of what was happening in the West.^[1] At the same time, the amount of Polish repertoire increased from 25% in 1958 to 30% in 1961.^[2]

The Polish Composers' Union still plays a large role in the organisation of the festival, and the director of the festival is currently Jerzy Kornowicz.

Repertoire

The Warsaw Autumn featured many Polish and World premieres by both non-Polish as well as Polish composers. The following list includes some of the pieces that were performed (Thomas 2005, 320–31).

1956

Witold Lutosławski, Concerto for Orchestra (1963 UNESCO 1st Prize)

1958

Tadeusz Baird, Four Essays (World Premiere) (1959 UNESCO 1st Prize (shared with Lutosławski))
Henryk Górecki, Epitaph (World Premiere)
Witold Lutosławski, Musique funèbre / Funeral Music (1959 UNESCO 1st Prize (shared with Baird))

1959

Henryk Górecki, Symphony No. 1 (World Premiere) (1961 UNESCO Youth Biennale 1st Prize)

1960

Henryk Górecki, Scontri (World Premiere)

1961

Tadeusz Baird, Love Poems (World Premiere)
Henryk Górecki, Three Diagrams (World Premiere)
Witold Lutosławski, Jeux vénitiens / Venetian Games (World Premiere) (1962 UNESCO 1st Prize)
Krzysztof Penderecki, Threnody to the Victims of Hiroshima (World Premiere) (1961 UNESCO Winner)

2014

Neo Temporis Group (Ensemble Nostri Temporis and NeoQuartet)

2022

Alla Zahaikevych, Prostory Svitla (English: Spaces for light, world premiere)^[3]

References

^ (Thomas 2005, 89)
^ (Thomas 2005, 90)
^ Adam Possener (Winter 2022–23). "Music of Resistance: Warsaw Autumn and the politicisation of the Avant-Garde". Oxford Review of Books. 7 (1): 5–6.

Sources

Thomas, Adrian (2005). Polish Music since Szymanowski. Cambridge: Cambridge University Press. ISBN 978-0-511-48203-8. OCLC 252494422.

External links

Official website

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[1] (Thomas 2005, 89)

[2] (Thomas 2005, 90)

[3] Adam Possener (Winter 2022–23). "Music of Resistance: Warsaw Autumn and the politicisation of the Avant-Garde". Oxford Review of Books. 7 (1): 5–6.

[1]