Slings & Arrows

Slings & Arrows centers around life at a fictional Shakespearean theatre festival in New Burbage, Canada. Each season focuses on The New Burbage Festival's production of a different play. The themes of the play are often juxtaposed with personal and professional conflicts facing the festival's cast and crew.

The show's central characters are actor/director Geoffrey Tennant (Paul Gross), New Burbage artistic director Oliver Welles (Stephen Ouimette), and actress Ellen Fanshaw (Martha Burns), who seven years previously collaborated on a legendary production of Hamlet. Midway through one of the performances, Geoffrey suffered a nervous breakdown, jumped into Ophelia's grave and then ran screaming from the theater. After that, he was committed to a psychiatric institution.

When the series begins, Geoffrey is in Toronto, running a small company, "Théâtre Sans Argent" (French for "Theatre Without Money"), on the verge of being evicted. Oliver and Ellen have stayed at New Burbage, where Oliver has gradually been commercializing his productions and the festival. On the opening night of the New Burbage's A Midsummer Night's Dream, Oliver sees Geoffrey on the news, chained to his theatre in protest. Heavily drunk, Oliver calls Geoffrey from a payphone and they argue about the past. Oliver then passes out in the street and is run over and killed by a truck bearing the slogan "Canada's Best Hams".

Geoffrey's blistering eulogy at Oliver's funeral about the state of the festival leads to him being asked to take over Oliver's job on a temporary basis. After clashing with an old rival, Darren Nichols (Don McKellar), Geoffrey is reluctantly forced to take over directing the festival's latest production of Hamlet. Making this difficult are Jack Crew (Luke Kirby), the insecure American film star cast as Hamlet; Geoffrey's former lover Ellen, who is playing Gertrude and dating a much younger man; and Oliver, now haunting both Geoffrey and the festival as a ghost. Also in the play is apprentice actress Kate (Rachel McAdams), who finds herself falling for Jack.

On the business side of the festival, New Burbage manager Richard Smith-Jones (Mark McKinney) is seduced by one of his sponsors, American executive Holly Day (Jennifer Irwin) who wants to remake New Burbage into a shallow, commercialized "Shakespeareville".

The second season follows the New Burbage production of Macbeth.

Richard is desperate for money to keep the company going. Geoffrey, frustrated over what he sees as a lack of commitment from his actors, suggests downsizing the company. A famous and highly egotistical actor, Henry Breedlove (Geraint Wyn Davies), arrives to star in Macbeth. Geoffrey is reluctant to direct the play due to the difficulty of staging it well, but insists that he doesn't believe in the curse of "The Scottish Play".

Richard secures a government grant to rebrand the festival. To do so, he hires an avant-garde advertising agency, Frog Hammer. Sanjay (Colm Feore), the head of Frog Hammer, launches a series of shock advertisements and manipulates Richard into accepting them.

Elsewhere at the festival, Darren has returned from an artistic rebirth in Germany to direct a version of Romeo and Juliet. His experimental staging requires the actors to not touch or even look at each other. Frustrated by this, the leading actors Sarah and Patrick seek out Geoffrey's help.

The festival's administrator, Anna Conroy (Susan Coyne), copes with an influx of interns. Among them is the ambitious Emily (Grace Lynn Kung), who can be a little too enthusiastic when enforcing theater rules. Anna begins a romance with playwright Lionel Train (Jonathan Crombie), who is doing a reading of his original play at the festival. She becomes upset when he uses her personal life in his writing, straining their relationship.

Ellen is upset that she must undergo a tax audit. Her accountant brother-in-law agrees to help, but the two argue over Ellen's shoddy record keeping.

Meanwhile, Geoffrey obsesses over directing Macbeth, antagonizing his cast and crew. He starts seeing Oliver's ghost again, which make Ellen fear for his sanity. Henry and Geoffrey develop a tense power struggle over how to handle the titular character.

The third season follows the New Burbage production of King Lear.

The cast of Macbeth returns home after a successful run of the production on Broadway, where an old friend of Ellen's, Barbara, tells her to think about moving beyond New Burbage. As Richard tries to cope with being a success, Anna must deal with a group of stranded musicians and Darren is back in town, this time to direct a new musical, East Hastings.

Geoffrey, meanwhile, has cast an aging theatre legend, Charles Kingman (William Hutt) as Lear, despite everyone's fears that the role will kill him. Oliver reappears and laments his inability to move on to the afterlife. As rehearsals continue, Charles terrorizes Sophie (Sarah Polley), the actress playing Cordelia. She is also involved in the rivalry between the young actors in Lear and the young actors in the musical, whose success soon overshadows the troubled Shakespeare production.

As things spiral out of control, Oliver returns to haunt and help, and Geoffrey seeks therapy from an unlikely source.

In the late 1990s, Tecca Crosby pitched the idea of a half-hour comedy about a theatre festival to producer Niv Fichman. Fichman recruited Susan Coyne to write the pilot, which at the time was called Over The Top.^[1] Mark McKinney later joined the project, followed by Bob Martin.^[2] Coyne, McKinney, and Martin are listed as the show's creators, and share writing credits on all 18 episodes.^[3]

The series was produced by Rhombus Media for The Movie Network and Showcase.

Filming took place in southern Ontario, Canada.^[1] The lobby of the fictional Swan Theatre is Toronto's Ed Mirvish Theatre. Interior theatre scenes were filmed in Hamilton's Tivoli Theatre in season one and in Brantford's Sanderson Centre in seasons two and three. The Studio Theatre where season three's East Hastings performs is the main stage of Theatre Passe Muraille in Toronto.^[4] Other locations included the Blue Goose Tavern in Toronto, and Yong's Restaurant in Georgetown.^[5]

In 2009, a remake of Slings & Arrows, titled Som & Furia (“Sound & Fury”), aired on Brazil's Rede Globo network.^[6] The 12-part Portuguese-language miniseries was produced and co-directed by Fernando Meirelles.^[1]

As of November 2019, the creators were shopping a prequel to Slings & Arrows called The Amateurs about the origins of The New Burbage Festival in the 1950s.^[7][8][9]

In its three seasons, Slings & Arrows was nominated for 50 awards across several categories, and won 22 awards for acting, writing, direction, editing and more.^[10]

It won 13 Gemini Awards. It was nominated for Best Dramatic Series every season it aired, and won twice. It won at least two Gemini awards for acting in every season, winning three in each of 2006 and 2007.^[11][12][13]

In addition to the Gemini Awards, the series swept Best Drama (One Hour) from the Writers Guild of Canada all three times it was nominated, and won Outstanding Television Series – Drama Awards from the Directors Guild of Canada in 2006 and 2007. The Writers Guild of Canada nominated three of its episodes for Best Drama Series in 2004.

Other awards included a Canadian Comedy Award in 2005 for Television – Pretty Funny Writing – Series, and a Satellite Award in 2006 for Best DVD Release of a TV Show.

This table summarizes award wins by cast members:

Many cast members—guests as well as regulars—were Gemini-nominated for their work on Slings & Arrows but did not win, including Jennifer Irwin, Sarah Polley, Chris Leavins, Don McKellar and William Hutt.^[10]

• Slings & Arrows at IMDb
• Shakespearean Struggles, Both Onstage and Backstage at New York Times.com, August 5, 2005
• Sex and Shakespeare Archived 2005-10-27 at the Wayback Machine - Writers Guild of Canada article and interview at www.wgc.ca, Summer 2005
• Bob Martin - Downstage Center interview at American Theatre Wing.org, June 2006
• Slings & Arrows - NPR Weekend Edition interview at NPR.org, July 21, 2007