File:The Prodigal Son taking leave (BM 1935,0522.3.38).jpg
Original file (1,823 × 2,500 pixels, file size: 928 KB, MIME type: image/jpeg)
Captions
Captions
Summary
[edit]The Prodigal Son taking leave
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| Artist |
After: Robert Dighton
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| Title |
The Prodigal Son taking leave |
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| Description |
English: A companion print to BMSats 8228-30. Beneath the title of each print the relevant quotation from 'St. Luke xv' is engraved. The hall of a country-house; a waiting coach with two servants is seen through the open door (right). A young man in riding-dress takes leave of his mother. A weeping young woman (left) and the father (right) complete the group. A carpet and pilastered walls give an impression of luxury. 1792
Mezzotint with hand-colouring |
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| Date | 1792 | |||||||||||||||||||||||
| Medium | paper | |||||||||||||||||||||||
| Dimensions |
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| Collection |
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| Current location |
Prints and Drawings |
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| Accession number |
1935,0522.3.38 |
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| Notes |
From a series of four plates (BMSat 8227 to 8230), which Dorothy George presumably thought of as satirical because the story is set in a modern context. For the dating in 1792 see BMSat. VI p.1002. Dighton's four original watercolours for the set of these prints from the collection of Mr Jeffrey Rose were sold at Sotheby's, 23 February 1978, lot 41. There is also a reduced set published by Laurie & Whittle, 12 April 1792 (2010,7081.2045-2048) |
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| Source/Photographer | https://www.britishmuseum.org/collection/object/P_1935-0522-3-38 | |||||||||||||||||||||||
| Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.  | ||||
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
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| current | 07:06, 14 May 2020 | | 1,823 × 2,500 (928 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1792 #8,010/12,043 |
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