Imprints & Re-visions: The Making of the Literary Text, 1759-1818Peter Hughes, Robert Rehder |
Contents
Imprints Revisions | 9 |
Elisabeth Bronfen Zurich | 39 |
Stephen Copley York | 61 |
Robert Rehder Fribourg | 83 |
Jonathan Wordsworth Oxford | 102 |
C Mays Dublin | 129 |
Armando Colombo Zurich | 143 |
Timothy Fulford Cambridge | 163 |
Peter Hughes Zurich | 181 |
Paley Berkeley | 195 |
Bruce Lawder Zurich | 213 |
Notes on Contributors | 235 |
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Adeline Adeline's aesthetic allusion Alps androgyny appears beautiful becomes Biographia Literaria child Christabel Coleridge's composition Conjectures consciousness context copy creative criticism decree desire dream edition essay experience fantasy fantasy scene father feelings fiction Frankenstein Freud Gilpin Hartley human hysteric imagination imitation Kant Kubla Khan landscape language Lanugo later poetry letter lines literary literature London manuscript Marquis Mary Shelley metaphor Milton mind Montalt mother Motte Mount Blanc narrative narrator nature Notebooks object original genius passage personifications Picturesque poem poet poet's poetic Preface Prelude primal Princeton printing prose published reader represents revision River Wye Romantic Romanticism S.T. Coleridge Samuel Taylor Coleridge seems sense sexual Shelley's Simplon pass Solitary Date-Tree stanza sublime suggests symbolic symptoms textual things thought Tintern Abbey tour trauma University of Zurich University Press verse vision Whitman William Gilpin William Wordsworth words Wordsworth writing Young