Mangaka

This article is a stub. You can help the Animanga Wiki by expanding it, or perhaps you could contribute to discussion on the topic.

Hiromu Arakawa with FMA art — One of the most well-known mangaka, Hiromu Arakawa of *Fullmetal Alchemist*

Mangaka (漫画家) is the Japanese word for a comic artist or cartoonist. Outside of Japan, manga usually refers to a Japanese comic book and mangaka refers to the author of the manga, who is usually Japanese. As of 2006, about 3000 professional mangaka were working in Japan.

Gin-zarbo-31562 — The *Mangaka* Gin Zarbo, best known for her works on Undead Messiah

Some artists may study for a few years at an art college, manga school, or take on an apprenticeship with another mangaka, before entering the world of manga as a professional artist. However, there are some that just start in manga, without being an assistant by applying to contests that various magazines run. For example, Naoko Takeuchi, author of Sailor Moon, who won such a contest sponsored by Kodansha, and Osamu Tezuka, creator of Astro Boy started out without being an assistant. Of course, most successful mangaka start as assistants to other mangaka, like Hiromu Arakawa (Fullmetal Alchemist, Silver Spoon) who started as an assistant to Hiroyuki Etō (Magical Circle Guru Guru), or at least have some schooling, like Hiro Mashima (Fairy Tail).

Rsz 41 — The *Mangaka* Shirow Miwa and his work on the manga Dogs Bullets and Carnage

A mangaka will slowly rise to prominence through recognition of their ability when they spark the interest of various institutions, individuals or a demographic of manga consumers. For example, there are various contests which prospective mangaka may enter, sponsored by some of the leading manga editors and publishers in the field. They are also recognized for the number of manga they are running or have run.

Interestingly, although there are many successful light novel authors (ライトノベル作家, raito noberu sakka), they rarely get as much notoriety as mangaka, possibly because they don't illustrate which is often, strangely held above the story writing skill.