pal-gandharv

Dabba Cartel had a solid story at its core, but the execution didn't quite do it justice. The screenplay felt weak and dragged in parts, making it a bit of a chore to sit through. While the performances were mostly good, Shabana Azmi was excellent as always, and Jyothika handled her Hindi well, the series never really pulled me in the way it should have.

What made it worse were the unnecessary rap songs in the background, which felt completely out of place. The show keeps you watching because you expect some jaw-dropping climax, but when it finally comes, it just fizzles out. It wasn't a total disaster, but it was stretched out more than needed, and the impact got lost along the way. A decent watch for the performances, but don't go in expecting a thriller that will keep you on the edge of your seat.

Baby John is the kind of film that makes you question why certain stories still make it to the big screen. It's a loud, brain-numbing mess that recycles the same old masala formula, sprinkled generously with over-the-top slow-motion action sequences that feel more like filler than flair. Not a single punch, be it in dialogue or combat, lands with any real impact.

Keerthy Suresh, despite her undeniable talent, is reduced to a forgettable prop, adding zero charm or depth to the narrative. On the flip side, Wamiqa Gabbi emerges as the film's only silver lining, effortlessly holding her ground and adding a dash of charisma in an otherwise dull affair. The child actor is another unexpected gem, delivering a surprisingly heartfelt performance that momentarily lifts the film out of its monotony. And then there's Jaggu Da, who slips into his role with his usual effortless brilliance.

But if there's one thing that truly tests your patience, it's the background score, a relentless, ear-piercing racket that makes you wonder how anyone survived this in a cinema hall. And just when you think the nightmare is over, in walks Salman Khan during the end credits, hammering the final nail into the coffin of what's now possibly the most cringeworthy cinematic universe ever attempted.

Baby John isn't just avoidable, it's a straight-up endurance test. Watch it only if you enjoy cinematic torture.

If you're looking for a light, breezy comedy that doesn't demand much from you, Dhoom Dhaam is exactly that. The film brings together two completely opposite personalities, a free-spirited, party-loving girl and a shy, veteran doctor, who end up married. What follows is a series of fun, sometimes awkward, and mostly feel-good moments.

Prateek Gandhi shines in his role, bringing charm and subtle humor, while Yami Gautam fits right in, making their chemistry enjoyable. The comedy works in parts-there are some genuinely funny scenes-but don't expect a laugh riot. The story itself is predictable but flows well, making it an easy watch.

At its core, Dhoom Dhaam is a simple, no-pressure entertainer. It's not groundbreaking, and it doesn't try to be. Just go with the flow, enjoy the lighthearted moments, and you'll have a good time.

Final Verdict: A fun time-pass movie-good for a relaxed watch!