A drama that charts ten years in a transgender woman's relationship with her lover.A drama that charts ten years in a transgender woman's relationship with her lover.A drama that charts ten years in a transgender woman's relationship with her lover.
- Awards
- 29 wins & 48 nominations
Susan Almgren
- Journaliste
- (as Susie Almgren)
Magalie Lépine Blondeau
- Charlotte
- (as Magalie Lépine-Blondeau)
Storyline
Did you know
- TriviaThe man who shows the apartment to Laurence is played by Xavier Dolan's father, Manuel Tadros, just like he did in Dolan's first movie.
- Quotes
Julienne Alia: You changed your sex. I changed my address.
- ConnectionsFeatured in Xavier Dolan: à l'impossible je suis tenu (2016)
Featured review
This is a strong, disconcerting, highly unconventional movie that is not easy to review, or to watch. Although it is the story of a transgender experience and how it affects existing relationships, it is much more than that.
The movie is so strong and so complex--and so long--that I'm reluctant to say much more about it, partly because I don't know much else to say about it now. I'll need to watch it at least one more time before I'm ready even to think about doing that. I can say, though, that anyone expecting a love story about attractive and sympathetic characters will be severely disappointed and probably angry.
Anyone expecting a positive account of what it's like to change gender identity will probably be disappointed too. Anyone who needs the orderly development of a story and the relatable characters that are essential in Hollywood movies will be furious after having sat through these nearly three hours of VERY unconventional and challenging movie-making.
Finally, anyone who enjoys picking a movie apart and saying what he or she would do to make it better--eliminate peripheral characters, cut an hour off the movie's length, etc--will have a field day with this one. Unfortunately for them (and for anyone who takes what they say seriously), they will have denied themselves most of what this remarkable movie offers them.
The only way to receive what a movie (or any other work of art) offers is to accept it AS IT IS, on its own terms, WITHOUT trying to analyze it or change it to fit some outside notion ("outside" meaning in YOUR mind, as opposed to the author's) of what it OUGHT to be.
Instead of trying to make this (or any other) movie "better", either make your own movie or let go of your compulsion to control what happens to you as you watch this one. If you don't like the experience, that's fine, but if you really believe you could have done it better, you're a fool. You're impressing (and cheating) nobody but yourself and anybody else who takes you seriously.
But anyone who wants to see the latest work of an extraordinarily gifted and original young artist (Xavier Dolan, who is not yet 25 years old), whose genius is exploding into the world with such power and such speed that even he probably can't explain everything he does--and is willing to let go, to give up control of the experience and see what DOLAN is showing you instead of what you want to see--will be changed by this astonishing movie.
The movie is so strong and so complex--and so long--that I'm reluctant to say much more about it, partly because I don't know much else to say about it now. I'll need to watch it at least one more time before I'm ready even to think about doing that. I can say, though, that anyone expecting a love story about attractive and sympathetic characters will be severely disappointed and probably angry.
Anyone expecting a positive account of what it's like to change gender identity will probably be disappointed too. Anyone who needs the orderly development of a story and the relatable characters that are essential in Hollywood movies will be furious after having sat through these nearly three hours of VERY unconventional and challenging movie-making.
Finally, anyone who enjoys picking a movie apart and saying what he or she would do to make it better--eliminate peripheral characters, cut an hour off the movie's length, etc--will have a field day with this one. Unfortunately for them (and for anyone who takes what they say seriously), they will have denied themselves most of what this remarkable movie offers them.
The only way to receive what a movie (or any other work of art) offers is to accept it AS IT IS, on its own terms, WITHOUT trying to analyze it or change it to fit some outside notion ("outside" meaning in YOUR mind, as opposed to the author's) of what it OUGHT to be.
Instead of trying to make this (or any other) movie "better", either make your own movie or let go of your compulsion to control what happens to you as you watch this one. If you don't like the experience, that's fine, but if you really believe you could have done it better, you're a fool. You're impressing (and cheating) nobody but yourself and anybody else who takes you seriously.
But anyone who wants to see the latest work of an extraordinarily gifted and original young artist (Xavier Dolan, who is not yet 25 years old), whose genius is exploding into the world with such power and such speed that even he probably can't explain everything he does--and is willing to let go, to give up control of the experience and see what DOLAN is showing you instead of what you want to see--will be changed by this astonishing movie.
- How long is Laurence Anyways?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- І все ж Лоранс
- Filming locations
- 2600 Rue Ontario, Montréal, Québec, Canada(opening scene: Laurence walking in the street)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $399,784
- Runtime2 hours 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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