Jimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed g... Read allJimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed gangster.Jimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed gangster.
- Awards
- 1 nomination
Juan Carlos Hernández
- Raul
- (as Juan Carlos Hernandez)
Guillermo Diaz
- Poh Boy
- (as Guillermo Díaz)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSeann William Scott said on Kevin Pollak's Chat Show that a lot of his scenes were improvised, such as the scene where he finishes Tracy Morgan's lines and the jail scene.
- GoofsTowards the end of the film when Jimmy arrives at Poh Boys house during a "shoot out" he has a white bandage on his right forearm, despite not incurring any injury to his arm earlier in the film. The injury to his arm actually occurred in a deleted scene with a fight with a waitress in the restaurant where they went for translation help.
- Quotes
Paul Hodges: [screaming random movie lines to get a suspect to talk] Yippie-ki-yay, motherfucker!
Jimmy Monroe: I've never seen that movie before.
- ConnectionsFeatured in Trailer Failure: Cop Out, Furry Vengeance (2010)
- SoundtracksNo Sleep Till Brooklyn
Written by Mike D (as Michael Diamond), Adam Horovitz, Rick Rubin and Adam Yauch
Performed by Beastie Boys
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Featured review
So help me, I found Cop Out to be not completely bad. Yes, that's a backhanded compliment, but I assure you that it's completely deserved. Cop Out, from its inane title to its derivative plot, has no business being anything but a hokey hoedown of banal buddy cop dopey behavior. And yet's it's not as gut-wrenchingly awful as all that.
Cop Out stars Bruce Willis and Tracey Morgan as veteran police partners on the trail of a gangbanger (Guillermo Diaz) who loves baseball memorabilia and who just happened to steal Willis' super-valuable baseball card, the one he was going to have to sell to finance his daughter's wedding; better to do that than have his wife's new, rich husband pay for it all.
But that cop-movie aspect is almost irrelevant. What matters, and the only thing that really puts this one in the same general universe as the likes of, say, Lethal Weapon (in terms of approach, not overall quality), is the thrust-and-parry repartee between straight-arrow Willis (a 180 from his John McClane character/caricature) and loose-cannon, uber-hip Morgan. They're funny together, and they're given funny things to say in funny situations. That helps a lot.
What's puzzling about this movie is that Kevin Smith directed it, the first of his that he didn't also write. That's puzzling because the dialog isn't really this movie's strong point. If I hadn't seen Smith's name attached to this in writing, I'd never have guessed he had had a hand in it.
But ultimately, it doesn't matter much, as it's just plain not terrible. You can tell I'm trying not to go overboard in my hyperbole, right? I want to present you with a level-headed, even-handed look at whether this is worth your time. And it is, with lowered expectations. It's amusing, although not for the whole family to watch.
Cop Out stars Bruce Willis and Tracey Morgan as veteran police partners on the trail of a gangbanger (Guillermo Diaz) who loves baseball memorabilia and who just happened to steal Willis' super-valuable baseball card, the one he was going to have to sell to finance his daughter's wedding; better to do that than have his wife's new, rich husband pay for it all.
But that cop-movie aspect is almost irrelevant. What matters, and the only thing that really puts this one in the same general universe as the likes of, say, Lethal Weapon (in terms of approach, not overall quality), is the thrust-and-parry repartee between straight-arrow Willis (a 180 from his John McClane character/caricature) and loose-cannon, uber-hip Morgan. They're funny together, and they're given funny things to say in funny situations. That helps a lot.
What's puzzling about this movie is that Kevin Smith directed it, the first of his that he didn't also write. That's puzzling because the dialog isn't really this movie's strong point. If I hadn't seen Smith's name attached to this in writing, I'd never have guessed he had had a hand in it.
But ultimately, it doesn't matter much, as it's just plain not terrible. You can tell I'm trying not to go overboard in my hyperbole, right? I want to present you with a level-headed, even-handed look at whether this is worth your time. And it is, with lowered expectations. It's amusing, although not for the whole family to watch.
- dfranzen70
- Jan 8, 2011
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- A Couple of Cops
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $44,875,481
- Opening weekend US & Canada
- $18,211,126
- Feb 28, 2010
- Gross worldwide
- $55,611,001
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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