47
Metascore
36 reviews · Provided by Metacritic.com
- 80EmpireEmpireA smart, accessible, surprisingly balanced look at our dysfunctional world. Compelling stuff.
- 78Austin ChronicleSteve DavisAustin ChronicleSteve DavisDespite its flaws, which become more evident as time elapses, Lions for Lambs is worth seeing for no other reason that you’ve never seen anything like it before.
- 75Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanThe tiny scale and armchair talkiness mark the movie as a bit of a folly, an act of idealistic hubris in today's commercial marketplace, yet that's its (minor) fascination too.
- 63Charlotte ObserverLawrence ToppmanCharlotte ObserverLawrence ToppmanAll true, but not new -- and not especially compelling.
- 50The Hollywood ReporterRay BennettThe Hollywood ReporterRay BennettPoliticians, the media, educators, military commanders and a docile public all come under fire in a well-made movie that offers no answers but raises many important questions.
- 50Village VoiceVillage VoiceThe movie is awful--and also oddly touching, even adorable in its dogged sense of responsibility, its stubborn refusal of style.
- 50Chicago TribuneMichael PhillipsChicago TribuneMichael PhillipsThis is the sort of film where a character says “Here we are, having a high-minded debate ...” and you wonder if countless moviegoers will be rolling their eyes in unison.
- 40New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinRobert Redford’s Lions for Lambs is the clunkiest, windiest, and roughest of the lot. Most of it is dead on the screen. But its earnestness is so naked that it exerts a strange pull. You have to admire a director who works so diligently to help us rise above all the bad karma.
- 40VarietyDerek ElleyVarietyDerek ElleyAmounts to a giant cry of "Americans, get engaged!" wrapped in a star-heavy discourse that uses a lot of words to say nothing new.
- 40The New YorkerAnthony LaneThe New YorkerAnthony LaneIt winces with liberal self-chastisement: Redford is surely smart enough to realize, as the professor turns his ire on those who merely chatter while Rome burns, that his movie is itself no better, or more morally effective, than high-concept Hollywood fiddling.