IMDb RATING
5.5/10
1.1K
YOUR RATING
A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.
Mina Bern
- Ruth Edelstein
- (as Mina Bern Bonas)
Martha De La Cruz
- Anna
- (as Martha DeLaCruz)
Storyline
Did you know
- TriviaDirector Roberta Findlay says the savage rape of Leona (Rhetta Hughes) was inspired by the real-life rape and murder of Kitty Genovese, which occurred on March 13, 1964. At the time this was filmed, the widespread public understanding of the Genovese case was that while she was being murdered, many witnesses who resided in her apartment complex saw the event transpire and chose not to act either by intervening directly or alerting the authorities. This led to decades of the case being considered emblematic of bystander apathy and group inhumanity; however, this perception was derived almost totally from one largely inaccurate account of the murder that in the twenty-first century has been heavily debunked.
- ConnectionsFeatured in Roberta Findlay on 'Tenement' (2005)
- SoundtracksTenement
Sung by the Kool Krew
Written by Pete Warner, Denise L. Davis and David Baughan
Produced, Arranged and Performed by Pete Warner and Denise L. Davis
© 1985 Zip Zap Music, ASCAP/Warner's Thunder Music, SESAC
Featured review
Fed up with their basement serving as headquarters to a gang of violent, drug-taking street punks, the tenants of a run-down New York tenement building inform the police about their unwanted guests' stash of illegal narcotics and firearms; believing the gang to be safely behind bars, the delighted tenants hold a party to celebrate, but elation quickly turns to terror when they discover that the thugs have been released from jail and are looking for revenge.
Just a few seconds of the horribly dated rap theme-song for Tenement should be enough for most sane movie fans to switch off in abject horror, but those who stay the distance (the certifiably insane, lobotomy patients, obsessive fans of z-grade trash) will find that bad 80s music is possibly the least offensive thing about this film: schlock director Roberta Findlay packs her film to the rafters with scenes of mean-spirited violence and sleaze carefully designed to keep even the most twisted of movie degenerates drooling with glee, including several bloody stabbings, a pair of scissors in the face, a throat slashing, and a rape that ends with the old 'broom handle up the punani' routine.
Sadly, while a catalogue of assorted unsavoury acts like this would normally qualify a film as an unmissable exploitation treat in my book, Findlay's typically ham-fisted direction, unconvincing gore, and terrible performances from nearly all involved make this film a gruelling experience for all the wrong reasons. It's not often that a movie can feature so much atrocity, yet still be most memorable for its bad guys' (and gal's) terrible dress sense: sporting cropped vests (tastefully slashed), chains, black spandex, and a fetching range of studded leather apparel, they look like they've either spent the evening partying hard at an S&M club or just been to an audition for raunchy 80s dance troupe Hot Gossip.
Some IMDb reviewers have cited this as their favourite of Findlay's directorial work, although as far as I am concerned, choosing your favourite Roberta Findlay film is akin to choosing your favourite STD.
Just a few seconds of the horribly dated rap theme-song for Tenement should be enough for most sane movie fans to switch off in abject horror, but those who stay the distance (the certifiably insane, lobotomy patients, obsessive fans of z-grade trash) will find that bad 80s music is possibly the least offensive thing about this film: schlock director Roberta Findlay packs her film to the rafters with scenes of mean-spirited violence and sleaze carefully designed to keep even the most twisted of movie degenerates drooling with glee, including several bloody stabbings, a pair of scissors in the face, a throat slashing, and a rape that ends with the old 'broom handle up the punani' routine.
Sadly, while a catalogue of assorted unsavoury acts like this would normally qualify a film as an unmissable exploitation treat in my book, Findlay's typically ham-fisted direction, unconvincing gore, and terrible performances from nearly all involved make this film a gruelling experience for all the wrong reasons. It's not often that a movie can feature so much atrocity, yet still be most memorable for its bad guys' (and gal's) terrible dress sense: sporting cropped vests (tastefully slashed), chains, black spandex, and a fetching range of studded leather apparel, they look like they've either spent the evening partying hard at an S&M club or just been to an audition for raunchy 80s dance troupe Hot Gossip.
Some IMDb reviewers have cited this as their favourite of Findlay's directorial work, although as far as I am concerned, choosing your favourite Roberta Findlay film is akin to choosing your favourite STD.
- BA_Harrison
- Mar 28, 2011
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