A shipwrecked lass sets up housekeeping on a desert island and rescues a female native from certain doom, thereby winning herself a Girl Friday.A shipwrecked lass sets up housekeeping on a desert island and rescues a female native from certain doom, thereby winning herself a Girl Friday.A shipwrecked lass sets up housekeeping on a desert island and rescues a female native from certain doom, thereby winning herself a Girl Friday.
Storyline
Did you know
- TriviaLegendary German director Ewald André Dupont was originally hired to direct the film but was fired for drunkenness.
- GoofsThe year in the log book entries of the doomed ship at the beginning of the film is 1695. The year in Miss Robin's first journal entries in the same book is 1659.
Featured review
Amanda Blake (Miss Kitty from "Gunsmoke") plays "Miss Robin Crusoe" in this low-budget, rather crudely made female version of the Daniel Defoe classic. Blake--who bears a striking resemblance here to British beauty Hazel Court--is the survivor of a shipwreck whose lifeboat beaches on a deserted island. She tries her best, but the script is weak and contrived, and the fact that most of it is filmed on a sound stage by director Eugene Frenke--a longtime European producer who was married to Anna Sten, here credited as "technical adviser"--in a routine, by-the-numbers fashion doesn't help, either. Blake saves native girl Friday (Rosalind Hayes) from being sacrificed by her tribe, and not long afterward hunky George Nader washes up ashore, the survivor of a shipwreck. There's somewhat of a twist in the proceedings when Nader attempts to take charge of things and plans to take the lifeboat out to search for passing ships, but is firmly told by Blake that SHE is in charge on the island and SHE decides what actions are to be taken.
Unfortunately, though, the film soon degenerates into a sappy love triangle when Friday--who Blake basically treats like a slave and at one point actually refers to her as "a savage"--in a fit of jealousy lets Nader eat some poison fruit that almost kills him, and Blake starts to fall for him.
About the best that can be said for it is that it's well photographed, but since most of it is, as noted, shot on a sound stage, that doesn't matter much. Frenke was a better producer than he is a director; Nader is, as usual, bland and colorless; relative unknown Hayes doesn't make much of an impression as Friday; and Blake, while looking fetching in a skimpy outfit similar to that worn by Jane in the "Tarzan" movies, tries but can't overcome a poor script and slovenly direction.
Worth watching once for the novelty of seeing a female version of the classic novel, but no more than that.
Unfortunately, though, the film soon degenerates into a sappy love triangle when Friday--who Blake basically treats like a slave and at one point actually refers to her as "a savage"--in a fit of jealousy lets Nader eat some poison fruit that almost kills him, and Blake starts to fall for him.
About the best that can be said for it is that it's well photographed, but since most of it is, as noted, shot on a sound stage, that doesn't matter much. Frenke was a better producer than he is a director; Nader is, as usual, bland and colorless; relative unknown Hayes doesn't make much of an impression as Friday; and Blake, while looking fetching in a skimpy outfit similar to that worn by Jane in the "Tarzan" movies, tries but can't overcome a poor script and slovenly direction.
Worth watching once for the novelty of seeing a female version of the classic novel, but no more than that.
Details
- Runtime1 hour 15 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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