An opium smuggler is marked for murder in this story of the Chinese Mafia.An opium smuggler is marked for murder in this story of the Chinese Mafia.An opium smuggler is marked for murder in this story of the Chinese Mafia.
Marc B. Robbins
- Ming Tai
- (as Marc Robbins)
Yutaka Abe
- Lucero
- (as Jack Yutaka Abbe)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Chinese consul-general C. H. Chu attempted to ban The Tong Man (1919) in San Francisco, CA, where the story was also set. Clyde Westover argued that his novel was based on first-hand observations of the city's Chinatown district during his tenure as a newspaper reporter. Two weeks later, the Chinese Six Companies, described as the most powerful Asian-American association in the U.S., attempted to obtain a court order to prevent the film from being shown in San Francisco. A private screening was held for the presiding judge, who decided in favor of the defendant, distributor Robertson-Cole Co. The company had two similar victories in Buffalo, NY, and Portland, OR. The Chinese consul-general in New York City was instrumental in banning The Tong Man (1919) in Hartford, CT, and Rochester, NY.
- GoofsWhen Luk Chen escapes to the roof of the building, he leaves the hatch door open (i.e., in the "up" position). After running from the police and his enemies, he returns to the hatch and has to reopen it to reenter the building.
- ConnectionsFeatured in The Slanted Screen (2006)
Featured review
Amazingly, his role here as the vicious, two-timing leader of the tong, seems to be the only movie appearance of Marc Roberts, who manages to steal the film from its seasoned players with his dominating and utterly convincing performance. Not that Sessue Hayakawa and company are in any way lacking in expertise. The impassive Hayakawa is absolutely just right as the assassin, and Toyo Fujita is likewise totally lifelike as the curiously unconcerned merchant who dares to oppose the tong and seems quite certain he can get away with it. Very adroitly, the actor works against our instant dislike for his character (he's a drug-runner who preys on his fellow Chinese) to win over sympathy. When he quietly and firmly, without any histrionics at all, defies the tong, you can almost hear the audience cheering him on.
Also worthy of applause is the sensitive study of Sen Chee by the lovely Helen Jerome Eddy. Although obviously not Asian, she manages to convict us of her impersonation by the sheer force of her on-screen charisma. Yutake Abe (who later became an award-winning director in Japan) also impresses as the murderous Lascar sailor that Toy decides to help.
William Worthington's static but extremely skillful direction is aided immeasurably by the astonishingly atmospheric, moodily noirish photography of Frank D. Williams.
Also worthy of applause is the sensitive study of Sen Chee by the lovely Helen Jerome Eddy. Although obviously not Asian, she manages to convict us of her impersonation by the sheer force of her on-screen charisma. Yutake Abe (who later became an award-winning director in Japan) also impresses as the murderous Lascar sailor that Toy decides to help.
William Worthington's static but extremely skillful direction is aided immeasurably by the astonishingly atmospheric, moodily noirish photography of Frank D. Williams.
- JohnHowardReid
- May 4, 2008
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- トング・マン
- Filming locations
- Fine Arts Studios - 4516 Sunset Blvd., Hollywood, Los Angeles, California, USA(studio - leased by Haworth Pictures Corp.)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $350,000 (estimated)
- Runtime58 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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