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Hedy Lamarr, the woman many critics and fans alike regard as the most beautiful ever to appear in films, was born Hedwig Eva Maria Kiesler in Vienna, Austria. She was the daughter of Gertrud (Lichtwitz), from Budapest, and Emil Kiesler, a banker from Lemberg (now known as Lviv). Her parents were both from Jewish families. Hedwig had a calm childhood, but it was cinema that fascinated her. By the time she was a teenager, she decided to drop out of school and seek fame as an actress, and was a student of theater director Max Reinhardt in Berlin. Her first role was a bit part in the German film Geld auf der Straße (1930) (aka "Money on the Street") in 1930. She was attractive and talented enough to be in three more German productions in 1931, but it would be her fifth film that catapulted her to worldwide fame. In 1932 she appeared in a Czech film called Ekstase (US title: "Ecstasy") and had made the gutsy move to appear nude. It's the story of a young girl who is married to a gentleman much older than she, but she winds up falling in love with a young soldier. The film's nude scenes created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the U.S. government at the time.

Hedy soon married Fritz Mandl, a munitions manufacturer and a prominent Austrofascist. He attempted to buy up all the prints of "Ecstasy" he could lay his hands on (Italy's dictator, Benito Mussolini, had a copy but refused to sell it to Mandl), but to no avail (there are prints floating around the world today). The notoriety of the film brought Hollywood to her door. She was brought to the attention of MGM mogul Louis B. Mayer, who signed her to a contract (a notorious prude when it came to his studio's films, Mayer signed her against his better judgment, but the money he knew her notoriety would bring in to the studio overrode any moral concerns he may have had). However, he insisted she change her name and make good, wholesome films.

Hedy starred in a series of exotic adventure epics. She made her American film debut as Gaby in Algiers (1938). This was followed a year later by Lady of the Tropics (1939). In 1942, she played the plum role of Tondelayo in the classic White Cargo (1942). After World War II, her career began to decline, and MGM decided it would be in the interest of all concerned if her contract were not renewed. Unfortunately for Hedy, she turned down the leads in both Gaslight (1940) and Casablanca (1942), both of which would have cemented her standing in the minds of the American public. In 1949, she starred as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount Pictures' then most profitable movie to date, bringing in $12 million in rental from theaters. The film's success led to more parts, but it was not enough to ease her financial crunch. She made only six more films between 1949 and 1957, the last being The Female Animal (1958).

Hedy retired to Florida. She died there, in the city of Casselberry, on January 19, 2000.

Christoph Waltz is an Austrian-German actor. He is known for his work with American filmmaker Quentin Tarantino, receiving acclaim for portraying SS-Standartenführer Hans Landa in Inglourious Basterds (2009) and bounty hunter Dr. King Schultz in Django Unchained (2012). For each performance, he won an Academy Award, a BAFTA Award, and a Golden Globe Award for Best Supporting Actor. Additionally, he received the Best Actor Award at the Cannes Film Festival and a Screen Actors Guild Award for his portrayal of Landa.

Christoph Waltz was born in Vienna, Austria, into a theatrical family, his mother Elisabeth Urbancic, an Austrian-born costume designer, and Johannes Waltz, a German-born stage builder. He has three siblings. His maternal grandmother was Viennese Burgtheater actress Maria Mayen, and his step-grandfather was fellow Burgtheater actor Emmerich Reimers. His maternal grandfather, Rudolf von Urban, was a psychologist and psychiatrist who wrote the 1949 book "Sex Perfection and Marital Happiness".

Waltz attended the Theresianium and Billrothstrasse in Vienna. Upon graduation, he attended the Max-Reinhardt-Seminar before going to New York to the Lee Strasberg Institute. While in New York, Christoph met his first wife, and moved back to Vienna, then to London.

During the 80s, Christoph worked primarily in theatre, commuting from his home in London to Germany. Slowly Waltz began to work in TV, taking one-off roles in series, and TV movies. Film roles soon followed. Attempts to break into English-speaking film and TV were, however, unsuccessful. Waltz has expressed his gratitude to have been able to make a living and support his family through acting. For thirty years he worked steadily, tirelessly, in this manner.

It was not until he met Quentin Tarantino that his career in Hollywood took off. The role of Colonel Hans Landa in Inglourious Basterds (2009) catapulted Waltz from a lifetime working in German TV/film to the new life of an international superstar and Academy Award-winning actor. He won 27 awards for his performance as Hans Landa, including the Cannes prix d'interpretation Masculin for 2009, the Golden Globe for Best Supporting Actor, the BAFTA Best Supporting Actor award, and the Academy Award for Best Supporting Actor (which he won again for 2012's Django Unchained (2012)).

He also has portrayed computer genius Qohen Leth in the film The Zero Theorem (2013), American plagiarist Walter Keane in the biographical film _Big Eyes (2014), and 007's nemesis and head of SPECTRE Ernst Stavro Blofeld in _Spectre (2015)_. In Quentin Tarantino's 2009 film Inglourious Basterds, Waltz portrayed SS-Standartenführer Hans Landa, aka "The Jew Hunter". Clever, courteous, and multilingual - but also self-serving, cunning, implacable, and murderous. Waltz played gangster Benjamin Chudnofsky in The Green Hornet (2011). That same year, he starred in Water for Elephants (2011), Roman Polanski's Carnage (2011), and a remake of The Three Musketeers (2011). He played German bounty hunter Dr. King Schultz in Quentin Tarantino's Django Unchained (2012), a role Tarantino wrote specifically for Waltz.

Waltz resides in Berlin and Los Angeles. His wife is costume builder Judith Holste.

Emily Cox was born on February 23, 1985 in Vienna, Austria. She is an actress, known for The Last Kingdom (2015), Jerks (2017) and The Fatherless (2011).

You know Emily from her leading role as the female Viking Warrior 'BRIDA' in the epic and highly successful Netflix series 'The Last Kingdom' which is now in its 5th and final season. Emily Cox grew up in Vienna with a British father and an Irish mother, who are both pianists. She now lives in Vienna and in Berlin. As a teenager, she thought that she wanted to become a dancer, but after performing in a play as part of her English classes during her final year in high school, she knew that acting was what she loved and wanted to do. After her graduation, she went on to study acting at the Max Reinhardt Seminar. In 2008 she was under contract as a stage actor at the Theater in der Josefstadt in Vienna. After that, she continuously worked for German and Austrian TV and cinema. Her most important TV- credits include "JERKS" (the german remake of 'Clovn', which is now in it's fourth season), various 'Tatorts', 'Dutschke', 'Homeland' and 'A new life'. For cinema her most prominent work includes films like 'The Fatherless' by Marie Kreutzer (Berlinale), 'Die Rettung der uns bekannten Welt' and 'Head full of Honey' by Til Schweiger, 'Wuff' by Detlev Buck and 'The silent mountain' by Ernst Gossner.

Romy Schneider was born on 23 September 1938 in Vienna, Austria into a family of actors. Making her film debut at the age of 15, her breakthrough came two years later in the very popular trilogy Sissi (1955). Her mother, supervising her daughter's career, immediately approved Romy's participation in Christine (1958), the remake of Max Ophüls's Liebelei (1933), where Magda Schneider once starred herself. During the shooting, she fell in love with her co-star Alain Delon and eventually moved with him to Paris. At that time, she started her international career collaborating with famous directors such as Luchino Visconti and Orson Welles. After Delon had broken up with her in 1964, she married Harry Meyen shortly after. Although she gave birth to a boy, David-Christopher, their relationship was difficult, so they divorced in 1975. Being unsatisfied with her personal life, she turned to alcohol and drugs, but her cinematic career -especially in France- remained intact. She was the first actress, receiving the new created César Award as "Best Actress" for her role in L'important c'est d'aimer (1975). Three years later, she was awarded again for Une histoire simple (1978). After a short marriage to her former secretary Daniel Biasini, being the father of her daughter Sarah Biasini, she suffered the hardest blow of her life when her son was impaled on a fence in 1981. She never managed to recover from this loss and died on 29 May 1982 in Paris. Although it was suggested she committed suicide caused by an overdose of sleeping pills, she was declared to have died from cardiac arrest.

Francis Lawrence is an American filmmaker. He started directing over sixty music videos before he directed the cult classic Keanu Reeves film Constantine, I Am Legend and Water for Elephants. He also directed The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Parts 1 and 2, and Red Sparrow, which all starred Jennifer Lawrence.

Fritz Lang was born in Vienna, Austria, in 1890. His father managed a construction company. His mother, Pauline Schlesinger, was Jewish but converted to Catholicism when Lang was ten. After high school, he enrolled briefly at the Technische Hochschule Wien and then started to train as a painter. From 1910 to 1914, he traveled in Europe, and he would later claim, also in Asia and North Africa. He studied painting in Paris from 1913-14. At the start of World War I, he returned to Vienna, enlisting in the army in January 1915. Severely wounded in June 1916, he wrote some scenarios for films while convalescing. In early 1918, he was sent home shell-shocked and acted briefly in Viennese theater before accepting a job as a writer at Erich Pommer's production company in Berlin, Decla. In Berlin, Lang worked briefly as a writer and then as a director, at Ufa and then for Nero-Film, owned by the American Seymour Nebenzal. In 1920, he began a relationship with actress and writer Thea von Harbou (1889-1954), who wrote with him the scripts for his most celebrated films: Dr. Mabuse, der Spieler (1922), Die Nibelungen: Siegfried (1924), Metropolis (1927) and M - Eine Stadt sucht einen Mörder (1931) (credited to von Harbou alone). They married in 1922 and divorced in 1933. In that year, Nazi propaganda minister Joseph Goebbels offered Lang the job of head of the German Cinema Institute. Lang--who was an anti-Nazi mainly because of his Catholic background--did not accept the position (it was later offered to and accepted by filmmaker Leni Riefenstahl) and, after secretly sending most of his money out of the country, fled Germany to Paris. After about a year in Paris, Lang moved to the United States in mid-1934, initially under contract to MGM. Over the next 20 years, he directed numerous American films. In the 1950s, in part because the film industry was in economic decline and also because of Lang's long-standing reputation for being difficult with, and abusive to, actors, he found it increasingly hard to get work. At the end of the 1950s, he traveled to Germany and made what turned out to be his final three films there, none of which were well received.

In 1964, nearly blind, he was chosen to be president of the jury at the Cannes Film Festival. He was an avid collector of primitive art and habitually wore a monocle, an affectation he picked up during his early days in Vienna. After his divorce from von Harbou, he had relationships with many other women, but from about 1931 to his death in 1976, he was close to Lily Latte, who helped him in many ways.

Murathan Muslu was born on 7 November 1981 in Vienna, Austria. He is an actor, known for Risse im Beton (2014), 7500 (2019) and Hinterland (2021).

Boris Frederic Cecil Tay-Natey Ofuatey-Kodjoe, better known as Boris Kodjoe, is a German actor known for his roles as Jason in the 2000 film Love & Basketball (2000) and sports-courier agent Damon Carter on the Showtime drama series Soul Food (2000).

Kodjoe was born in Vienna, Austria to of Ursula, a German psychologist of partially-Jewish descent, and Eric Kodjoe, a Ghanaian physician who is of the Nzema people. He was named after Russian poet and writer Boris Pasternak. Kodjoe's great-grandmother was Jewish and died in the Holocaust; his maternal grandmother survived the war in hiding. Kodjoe's parents divorced when he was six years old. Kodjoe is fluent in German, English, and French, and speaks some Spanish. He has a brother named Patrick and two sisters named Nadja and Lara.

Maria Schell studied in a religious institution in Colmar (Haut-Rhin, France). She received a dramatic training in Zurich, Switzerland. To pay her studies, she was a secretary there. Besides being a film star; Maria appeared in plays in Zurich, Basel, in Vienna (Josefstad Theater), Berlin, Munich (Kammerspiel Theater), at the Salzburg Festival and went on provincial tours from 1963. Among the plays she performed there were such classics as William Shakespeare's "Hamlet", Johann Wolfgang von Goethe's "Faust" and such modern classics as "Pygmalion" by George Bernard Shaw.

Maximilian Schell was the most successful German-speaking actor in English-language films since Emil Jannings, the winner of the first Best Actor Academy Award. Like Jannings, Schell won the Oscar, but unlike him, he was a dedicated anti-Nazi. Indeed, with the exception of Maurice Chevalier and Marcello Mastroianni, Schell was undoubtedly the most successful non-anglophone foreign actor in the history of American cinema.

Schell was born in Vienna, Austria on December 8, 1930, but raised in in Zurich, Switzerland. (Austria became part of Germany after the anschluss of 1938), then was occupied by the allies from 1945 until 1955, when it again joined the family of nations.) He learned his craft on the stage beginning in 1952, and made his reputation with appearances in German-language films and television. He was a fine Shakespearean actor, and had a huge success with "Richard III" (he has also appeared in as the eponymous prince in a German-language version of "Hamlet").

Schell made his Hollywood debut in 1958 in the World War II film The Young Lions (1958) quite by accident, as the producers had wanted to hire his sister Maria Schell, but lines of communication got crossed, and he was the one hired. He impressed American producers as his turn as the friend of German soldier Marlon Brando, and subsequently assayed the role of the German defense attorney in the television drama Judgment at Nuremberg (1961) on "Playhouse 90" in 1959. He was also cast in the big screen remake, for which he won the 1961 Academy Award for Best Actor, beating out co-star Spencer Tracy for the Oscar. He also won a Golden Globe and the New York Film Critics Circle Award for the role. Schell ultimately won two more Oscar nominations for acting, in 1976 for Best Actor for The Man in the Glass Booth (1975) and in 1978 as Best Supporting Actor for Julia (1977) (which also brought him the New York Film Critics Circle Award for Best Supporting Actor). He has twice been nominated for an Emmy for his TV work, and won the 1993 Golden Globe for best performance by an actor in a supporting role in a series, mini-series or made-for-TV movie for Stalin (1992).

Schell has also has directed films, and his 1974 film Der Fußgänger (1973) ("The Pedestrian"), which Schell wrote, produced, directed, and starred in, was nominated for the Best Foreign Language Film Oscar and won the Golden Globe in the same category. His documentary about Marlene Dietrich, Marlene (1984), was widely hailed as a masterpiece of the non-fiction genre and garnered its producers a Best Documentary Oscar nomination in 1985. In 2002, Schell released Meine Schwester Maria (2002) (My Sister Maria), a documentary about the career of and his relationship with Maria Schell. Since the 1990s, Schell has appeared in many German language made-for-TV films, such as the 2003 film Alles Glück dieser Erde (2003) (All the Luck in the World) and in the mini-series The Return of the Dancing Master (2004), which was based on Henning Mankell's novel. He has also continued to appear on stage, appearing in dual roles in the 2000 Broadway production of the stage version of "Judgment at Nuremberg", and most recently in Robert Altman's London production of Arthur Miller's play "Resurrection Blues" in 2006. He died on 31st of January 2014, aged 83, in Innsbruck, Austria.

Erich von Stroheim was born Erich Oswald Stroheim in 1885, in Vienna, Austria, to Johanna (Bondy), from Prague, and Benno Stroheim, a hatter from Gleiwitz, Germany (now Gliwice, Poland). His family was Jewish.

After spending some time working in his father's hat factory, he emigrated to America around 1909. Working in various jobs he arrived in Hollywood in 1914 and got work in D.W. Griffiths' company as a bit player. America's entry into WW1 enabled him to play sadistic monocled German officers but these roles dried up when the war ended. He turned to writing and directing but his passion for unnecessary detail such as Austrian guards wearing correct and expensively acquired regulation underwear which was never seen in 'Foolish Wives' caused the budget to reach a reported $1 million. Although the film became a hit the final edit was given to others resulting in a third of his footage being cut. Irving Thalberg fired him from 'Merry Go Round' which was completed by Rupert Julien. He then started on 'Greed', which when completed was unreleasable being 42 reels with a running time of 7 hours. It was eventually cut down to 10 reels which still had a striking effect on audiences. 'The Wedding March' was so long that even in it's unfinished state it was released as two separate films in Europe. Gloria Swanson fired him from her production of 'Queen Kelly' when with no sign of the film nearing completion the costs had risen to twice the budget partly due to him re-shooting scenes that had already been passed by the Hays office. She then had to spend a further $200,000 putting the footage into releasable state. It was the end for him as a director, but he made a reasonable success as an actor in the talkies.

Senta Berger was born in 1941 in Vienna, Austria to her father Josef Berger who was a musician and her mother Therese Berger, a school teacher. Senta and her father performed together when she was just four years old. She sang and her dad played the piano. At five years old, she took ballet lessons and at 14, Berger turned to acting taking private lessons. She left her private school education at 16. In 1957, Berger was discovered by famous director Willi Forst and played a small role in a film. She was accepted to the Max Reinhardt Seminar. In 1958, Berger was the youngest member at the Vienna Theater in Josefstadt. Director Bernhard Wicki and producer Artur Brauner sought after Senta producing the film The Good Soldier, by Heinz Rühmann. It succeeded and Brauner used her in several films. In 1962, Berger moved to Hollywood and starred with Charlton Heston, Frank Sinatra, Dean Martin, Richard Harris, George Hamilton, Kirk Douglas, John Wayne and Yul Brynner. In 1969 she returned to Europe and was seen during the 1970's in Italian productions of various genres. In 1967, she returned to the silver screen with an Alain Delon film. In 1968, Berger played in the three-part thriller Babeck by Herbert Reinecker. 1970 was her debut as Producer of her own company. As director she put her husband's film before the camera. Further, international successful of films of her production company have included The White Rose, The Nasty Girl and Mother Courage. In addition, Berger expanded her European career in France and Italy. The birth of her two sons, Simon (b. 1972) and Luca (b. 1979) prompted Berger to turn back to the theater. In 1985/86, she managed her TV comeback in front of the German-speaking audience in the television series Kir Royal co-starring with Franz Xaver Kroetz , Dieter Hildebrandt and Billie Zöckler. Many TV series guest appearances followed.

Lucas Englander was born on 21 September 1992 in Vienna, Austria. He is an actor and director, known for Transatlantic (2023), The House (2022) and Parlement (2020).

Lotte Lenya was a Tony Award-winning and Academy award-nominated actress and singer. While best remembered in the U.S. for her supporting role as Rosa Klebb in the classic Bond film From Russia with Love (1963), she is celebrated in Germany for her ground-breaking performances in the plays of Kurt Weill and Bertolt Brecht and her recordings of songs from those works.

She was born Karoline Wilhelmine Charlotte Blaumauer on October 18, 1898, in Vienna, Austria (at that time Austro-Hungarian Empire), into a working class family. Young Lenya was fond of dancing. In 1914 she moved to Zurich, Switzerland. There she began using her stage name, Lotte Lenya. In Swizerland she studied classical dance, singing and acting and made her stage debut at the Schauspielhaus. In 1921 she moved to Berlin and blended in the city's cosmopolitan cultural milieu. In 1924 she met composer Kurt Weill, and they married in 1926. She performed in several productions of 'The Threepenny Opera', which became an important step in her acting career.

In 1933, with the rise of Nazism in Germany, Lotte Lenya escaped from the country. At the same time, being stressed by the circumstances of life, she divorced from Kurt Weil, to be reunited with him two years later. In 1935 both emigrated to the United States and remarried in 1937. After Kurt Weill's death, she dedicated her efforts to keeping Weill's music played in numerous productions worldwide. In 1957 she won a Tony award for her role as Jenny, performed in English, in a Broadway production of 'The Threepenny Opera'.

Lotte Lenya shot to international fame with her portrayal of Contessa Magda Terbilli-Gozales, Vivien Leigh's friend in The Roman Spring of Mrs. Stone (1961). The role brought Lenya an Academy Award nomination as Best Supporting Actress. She gained additional fame after she appeared as Rosa Klebb, former head of operations for SMERSH/KGB, and now a sadistic Spectre agent with poisonous knife in her shoe, in From Russia with Love (1963). She died of cancer on November 27, 1981, in New York. She is entombed with Kurt Weill in a mausoleum, in Mount Repose Cemetery, in Haverstraw, New York, USA.

Bibi Besch, a talented actress, was born in Vienna, Austria, to Gotfrid Köchert, a renowned race car driver, and actress Gusti Huber. She had a busy career, especially as a supporting actress on TV, spanning over twenty years. Her exceptional performance in the TV series, Doing Time on Maple Drive (1992), earned her an Emmy award nomination in the category of Best Supporting Actress. Later in 1993, she was again nominated for her guest appearance in the TV series, Northern Exposure (1990).

Besch was a veteran of numerous television movies between 1976 and 1995. Despite her success on TV, she also appeared in several feature films, including the iconic role of Dr. Carol Marcus in Star Trek II: The Wrath of Khan (1982). She also delivered remarkable performances in movies like Steel Magnolias (1989), Tremors (1990), and Who's That Girl (1987). Besch was equally phenomenal on stage and acted in plays such as Fame, The Chinese Prime Minister, Here Lies Jeremy Troy, and Once For the Asking. She also made guest appearances on popular network shows like ER (1994) and Murder, She Wrote (1984).

Besch's acting talents knew no bounds, and her TV work ranged from the soap opera Somerset (1970) to Backstairs at the White House (1979) to The Hamptons (1983). Sadly, Bibi Besch passed away at the young age of 54 on 7 September 1996, after a long battle with breast cancer. Her remarkable contributions to the entertainment industry continue to inspire many aspiring actors and actresses.

Julian Looman was born on 5 March 1985 in Vienna, Austria. He is an actor, known for Constellation (2024), The Mallorca Files (2019) and Emily in Paris (2020).

This dark, debonair, dashing and extremely distinguished Austrian actor was christened Adolf Wohlbrück in Vienna, the scion of a family of circus clowns. He broke away easily from generations of tradition as the circus life had no appeal whatsoever to Walbrook.

Trained by the legendary director Max Reinhardt, Walbrook's reputation grew on both the Austrian and German stages. In between he managed a couple of undistinguished roles in silent films. Billed as Adolf Wohlbrück, the youthfully handsome actor graced a number of romantic films come the advent of sound beginning in 1931. Among them Walzerkrieg (1933) and the gender-bending comedy Viktor und Viktoria (1933), which later served as the inspiration and basis for Blake Edwards' own Victor/Victoria (1982) starring wife Julie Andrews. Hollywood beckoned in the late 30s for Walbrook to re-shoot dialog for an upcoming international picture The Soldier and the Lady (1937) again playing Michael Strogoff, a role he had played impeccably in both previous French and German adaptations. With the rise of oppression in Nazi Germany he moved to Great Britain and took his trademark mustache and dark, handsome features to English language films where he went on to appear to great effect.

Portraying a host of imperious kings, bon vivants and and foreign dignitaries over the course of his career, he played everything from composer Johann Strauss to the Bavarian King Ludwig I. With a tendency for grand, intense, over-the-top acting, he was nevertheless quite impressive in a number of portrayals. Such included the sympathetic German officer in the landmark Powell and Pressburger satire The Life and Death of Colonel Blimp (1943) and gentle pacifist in another of their collaborations 49th Parallel (1941); as Prince Albert in the black-and-white glossy costumer Victoria the Great (1937) immediately followed by its color remake Sixty Glorious Years (1938) both opposite Anna Neagle's Queen Victoria; and, most notably, as the obsessively demanding impresario opposite ballerina Moira Shearer in the romantic melodrama The Red Shoes (1948). His stiff and stern military officers were just as notable which included sterling work in The Queen of Spades (1949) and last-speaking English film I Accuse! (1958).

He retired from films at the end of the 1950s, and in later years returned to the European stage and included television roles to his resume. He died in Germany in 1967 of a heart attack.

Remote, somewhat morose and, as a result, intriguing, Viennese talent Oskar Werner was born in 1922, not far from the birthplace of "Waltz King" Johann Strauss, and christened Oskar Josef Bschließmayer. His parents divorced when he was fairly young.

While growing up, Oskar found performing in school plays helped draw out a deep yearning to act. As a teenager, Oskar was further tempted when his uncle managed to find him some un-credited roles in a couple of German and Austrian war-era films.

Oskar dropped out of high school in order to pursue acting. Not long after, he became the youngest actor ever, up until that point, to be offered membership to the Burgtheater.

His name was changed to 'Oskar Werner', and he made his official debut in 1941. His career, however, was almost immediately interrupted by World War II. An avowed pacifist and fervent loathing of the Nazi regime, Werner eventually was forced to wear the German Axis army uniform, but finagled his way into KP duty feigning incompetence. Moreover, he married Elizabeth Kallina, a half-Jewish actress, which further endangered his life. Their daughter, Elinore, was born in 1944. The young family spent much of their time in the Vienna woods, hiding from both the Russians and Germans after the city was shelled.

In post-war years, Oskar returned to the Burgtheater and widened his range of classics on the stage. Performing in such productions as "The Misanthrope", "I Remember Mama", "Julius Caesar" and "Danton's Death", he also played a diverse range of character roles and "older men" parts.

He did not make any kind of dent in films until appearing in both the German (1948) and English versions of The Angel with the Trumpet (1950) as one of the more dissolute members of a family of piano makers.

An aloof, handsome blond with wide-set, hooded eyes and quietly solemn features, Werner showed extreme promise in just a few Austrian/German films, including the role of composer Beethoven's manipulative young nephew 'Karl' in the Austrian-made Eroica (1949).

Less than 2 years later, Oskar would have a resounding hit starring in his very first English-language film, Decision Before Dawn (1951), as the German prisoner of war protagonist in the Fox feature.

Though ready for film-stardom, Werner's experience with the film studios quickly soured him on Hollywood, as it failed on its promise to develop him into a Hollywood commodity. As a result, he returned to Europe and his theatre roots, determined only to come back to films when it suitably piqued his interest.

He fulfilled that promise, perhaps to his career detriment.

Having become one of the most esteemed young actor found on Western European stages, he hit international celebrity with his definitive portrayal of "Hamlet" in 1952, a role he would return to frequently. He returned to filming a few years later; four of his features were released in 1955. He played a German captain in the film Der letzte Akt (1955) [released in the States as The Last Ten Days of Hitler]; Lieutenant Baumgarten in the historical thriller Spionage (1955) [aka: Colonel Redl]; the title role in the romanticized biopic Mozart (1955); and the student in the Max Ophüls drama Lola Montès (1955).

In 1957, he founded the Theatre Ensemble Oskar Werne, with which he performed in such productions as "Bacchus." He would also return on occasion to the Burgtheater where he played "Henry V" and "Prince Hal" in "Henry IV".

His interest in filming was not piqued again until 1962, when he became an international sensation alongside French star Jeanne Moreau, in François Truffaut's 'New Wave' cinematic masterpiece Jules et Jim (1962) as the highly romantic and intellectual "Jules". He stood firm, however, despite the rash of critical kudos, and did not make a film again until four years later, earning an Oscar nomination for his tortured shipboard romance with Simone Signoret (also nominated) in the glossy high seas drama Ship of Fools (1965). Notable for his roles of almost unbearable but restrained intensity, Werner furthered his film reputation by co-starring with Richard Burton and Claire Bloomin the now- classic Cold War spy film, The Spy Who Came in from the Cold (1965). Truffaut blessed him as well with another sterling role, in the futuristic classic Fahrenheit 451 (1966), but the relationship between both of the men was irreparably damaged over artistic differences during filming.

The unhappy experience Werner had during filming, triggered an already burgeoning drinking problem, and marked the start of decline of his career.

Werner made only three films following the Truffaut affair, but the roles, as usual, were performed superbly. He played the suave and very-married symphony conductor who has an illicit affair with a reporter (Barbara Ferris) in the tender remake of the June Allyson/Rossano Brazzi tearjerker Interlude (1968); he appeared as an unorthodox Jesuit priest in the all-star epic The Shoes of the Fisherman (1968); and boarded another WW II-era ship as German Faye Dunaway's Jewish husband in the all-star feature, Voyage of the Damned (1976).

Sadly, his longstanding problem with drink turned Oskar into a virtual recluse. Twice divorced (his second wife being Anne Power, the adopted daughter of father, Tyrone Power) and mother, Annabella, Werner later had a son, Felix, from a 1966 liaison with American model Diane Anderson.

His later years were spent traveling internationally, committing to poetry/pacifist readings, and occasionally performing on the stage. In 1967, he presented his one-man show 'An After-Dinner Evening with Oskar Werner', which was comprised of readings from the works of Schiller, Goethe and others. In 1970, he once-again toured with 'Hamlet'. His final stage appearance was in a 1983 production of 'The Prince of Homburg'.

On the night of Monday, 22 October, 1984, Werner canceled a concert reading at a German drama club due to illness. The following day - 23 October, 1984 Werner was found dead by heart attack, at the age of 61. He was laid to rest in his adopted country of Liechtenstein. He passed away only two days after Truffaut.

With a mysterious past and a mouth marred by burns, Reggie Nalder has a unique, if underappreciated, place in the history of cinema. Born Alfred Reginald Natzick in Vienna, Austria, the year of his birth has been a matter of speculation. While his obituary in the New York Times claimed 1922, photographic evidence has revealed that it was significantly earlier. Little is known about his early years. His mother was a beautiful actress who appeared in German films between 1919 and 1929. Nalder himself was an Apache dancer and stage actor in the 1920s and 1930s, and the anecdotes he occasionally shared with friends hint at a colorful career even before his life in films. Photos of Nalder from this period, which surfaced after his death, reveal a handsome young man in his early 20s, almost unrecognizable as the man we know from celluloid.

The burns that scarred the lower third of his face and forever cast him as a villain are also a source of uncertainty; Nalder had at least three different explanations for them. Whatever the true cause, it was this disfigurement which bestowed upon him a permanent place in the annals of film.

His career was punctuated by two definite high points. The first was his role as Rien, the leering assassin of Hitchcock's 1956 remake of "The Man Who Knew Too Much." His second great triumph was as the horrifyingly effective vampire Barlow in the TV mini-series "Salem's Lot" (1976). In between he had some memorable film and television appearances -- the cold Russian operative in "The Manchurian Candidate" (1962); the yellow-jacketed gunman in Dario Argento's "The Bird With the Crystal Plumage" (1969), a part written especially for him; the lecherous witch-hunter Albino in Adrian Hoven's notorious "Mark of the Devil" (1970); the title character in the Thriller episode "The Return of Andrew Bentley" (1961); and the alien Shras in the classic Star Trek episode "Journey to Babel" (1967). Though small, Nalder's role in Fellini's "Casanova" (1976) was also a source of personal pride.

Along the way were many forgotten roles, and a few of which he himself may have been embarrassed . However dubious the quality of some of the films in which he appeared, his gaunt face, expressive eyes, and soft, haunting voice never fail to absorb. In real life, Nalder was soft-spoken man of considerable culture and taste who knew four languages and enjoyed the opera ("Tosca" was reputedly his favorite). He died of bone cancer at a Santa Monica nursing home on November 11, 1991. With him went the truth behind "The Face That Launched a Thousand Trips" and the keys to much of his mystery-shrouded past.

Reggie Nalder may be far from a household name, and he may have appeared in many films of questionable artistic merit. But he has provided film buffs with indelible cinematic images and characterizations for which he was singularly well equipped. Whether you were chilled by the methodical killer behind the curtain at the Albert Hall in "The Man Who Knew Too Much" or terrified by the shining eyes of the vampire of "Salem's Lot," you along with cinemagoers the world over have felt the icy touch of Reggie Nalder.

As a nine-year-old boy, Leon Askin recited a 17-stanza eulogy for Emperor Franz Josef in front of the city hall in Vienna's 9th District. Little did the son of a salesman know then that he would one day be the student of Max Reinhardt and Louise Dumont, and discover Jura Soyfer while directing the political cabaret "ABC". Emigration brought him into contact with even more 20th-century luminaries: in 1938 he met Erwin Piscator, the founder of the school of Epic Realism, and worked with him for the next 30 years. On the set of Billy Wilder's One, Two, Three (1961), Wilder once exclaimed, "Here comes my professional!" Askin, who was often cast as the "funny villain", performed alongside Richard Burton, Doris Day and James Cagney. It is not merely exposure to big stars that distinguishes Leon Askin, though. He captured the hearts of critics and audiences with his impressive stage performances of "Faust" and "Shylock" on Broadway, which he also directed, and "Othello" in Hamburg. In addition, Askin made TV history as Gen. Burkhalter in the series Hogan's Heroes (1965).

Theodore Bikel is one of the most versatile and respected actors and performers of his generation. A master of languages, dialects and accents, he has played every sort of film villain and semi-bad guy imaginable, and always adds depth, dimension and even sympathy to characters that would end up as cardboard cutouts in the hands of lesser actors. His memorable supporting roles include a German naval officer in The African Queen (1951), the king of Serbia in Moulin Rouge (1952) and a German submarine officer in The Enemy Below (1957). He was nominated for an Academy Award for his role in The Defiant Ones (1958). Equally at home on the stage, Bikel is remembered for creating the role of Captain Von Trapp in the original Broadway cast of "The Sound of Music" opposite Mary Martin. He also appeared on stage in "Tonight in Samarkand", "The Lark" and "The Rope Dancers". Bikel is fluent in more than half a dozen European and Middle Eastern languages, and sings folk songs in nearly 20 languages, skillfully accompanying himself on guitar, mandolin, balalaika and harmonica. He was a regular on the early 1960s TV show Hootenanny (1963), a weekly cavalcade of folk music. Over the years he has performed on college campuses and in concert halls all over the country, and has recorded a number of record albums of folk music from around the world.

Jocelyn Lane is one of the most stunningly beautiful, and overlooked, actresses to grace the screen. Born Jocelyn Bolton in Austria to British parents in 1937, she was the younger sister of Mara Lane, who was considered one of the most beautiful models in the UK during the early 1950s. Either because, or in spite of, her glamorous older sister, Jocelyn had established herself as a popular model and cover girl by the time she was 18, using the stage name Jackie Lane. During this period she kept extremely busy as a cover girl, appearing on hundreds of magazine covers around the world. Jackie was not above fibbing about her age; in a 1957 photo pictorial by Russ Meyer in "Modern Man", the 20-year-old Jackie is referred to as "Mara's 18-year-old sister". Soon Mara became yesterday's news and Jackie's extraordinary beauty found her heralded as the "British Bardot". Her movie roles during this period are international, and often confused with those of Jackie Lane, who played Dorothea "Dodo" Chaplet opposite William Hartnell's Doctor Who during part of 1966. Our Jackie moved to Hollywood in the mid-1960s, and began using her birth name, perhaps to avoid confusion with the "other" Jackie Lane who remained in England. There seems to have been some trouble getting the new name to stick. In the October 4, 1964, "Life" magazine, where she was the feature model in the article "The End of [Hollywood's] Great Girl Drought", she is already billed as Jocelyn Lane. Yet early publicity for the Elvis Presley musical Tickle Me (1965) still refers to her as Jackie, as does her January 1966 cover photo on "Popular Photography" magazine. Although Jocelyn feigned a convincing American accent, her aloof, haughty screen persona did not endear her to US audiences, despite several showy leading roles in popular B-films. She retired from the screen in the early 1970s, ultimately marrying Spanish royalty. However, she remains in the memory, literally becoming a fixture of her cinematic times. One image of her, used on the poster of her film Hell's Belles (1969), features a ground-level shot of the 32-year old-Jocelyn (looking all of 22) in a black leather miniskirt and boots, staring haughtily at the camera, has become an icon of 1960s pop culture.

Felix Kammerer was born in Vienna, Austria. The Austrian actor is a son of two opera singers, Hans Peter Kammerer and Angelika Kirchschlager.

He gained early stage experience with the Hörbiger youth ensemble before training at the Ernst Busch Academy of Dramatic Arts in Berlin. An engagement at the Maxim Gorki Theater followed.

In the 2019/20 season, Felix joined the Burgtheater ensemble as a permanent member before appearing on the big screen in his first lead in All Quiet on the Western Front (2022).

His roles on stage included: Youth Without God directed by Nurkan, Summer Guests as the student Simin, Don Karlos as the Duke of Medina-Sidonia, Schwarzwasse as a supporting Lead, Moskitos as Luke, The Emperor's New Clothes as Lakai, and the play Romeo & Julia as Mercutio.

Nicholas Ofczarek was born on 30 May 1971 in Vienna, Austria. He is an actor and writer, known for Pagan Peak (2018), Wir Staatskünstler (2011) and Tatort (1970). He is married to Tamara Metelka. They have one child.

Tall, portly Viennese character actor Walter Slezak simultaneously pursued two different careers after his arrival in America in 1930: one, as a star of musical comedy on the stage, and another, as a portrayer of villains, impish rogues or pompous buffoons on screen.

Walter was born in May 1902 in Vienna, Austria, to a musical family, the son of Elisabeth (Wertheim) and famous opera star Leo Slezak. He had Czech, Austrian, and Jewish ancestry. Walter studied medicine but quickly lost interest. For a while, he held a position working in a bank. At the age of twenty, he was spotted in a beer garden by the Hungarian actor/director Mihaly Kertesz (Michael Curtiz) and persuaded to appear in his motion picture Sodom und Gomorrha (1922). Subsequently, the then rather lean Walter Slezak was signed by Ufa and became a matinee idol in German films of the 1920s. Always somewhat too fond of the culinary arts, Slezak over the years put on so much weight that, by the end of the decade, he was no longer considered bankable as a romantic star and became relegated to playing character roles instead.

In 1930, Slezak emigrated to the United States and instantly hit it off with public and critics alike in his Broadway debut with the musical comedy 'Meet My Sister' (1930-31). Though publicly modest about his vocal abilities, Slezak gained further plaudits for his role in the Oscar Hammerstein II production, 'Music in the Air' (1932-33), scored by Jerome Kern. By the 1950s, Slezak had become an established name on Broadway, star of shows like 'My 3 Angels' (1953-54), written by Sam and Bella Spewack and directed by José Ferrer; the hit comedy 'The Gazebo' (1958-59), in which he starred as Elliott Nash, opposite Jayne Meadows (filmed afterwards at MGM, with Glenn Ford and Debbie Reynolds in the lead roles); and his greatest success, as the likable curmudgeon Panisse in the musical production of Marcel Pagnol's 'Fanny', directed by Joshua Logan. For this role, he won the 1955 Tony Award as Best Actor in a Musical. 'Fanny' chalked up an impressive run of 888 performances between 1954 and 1956. In 1959, Slezak fulfilled his dream of emulating his father by singing the part of Zsupan in 'The Gypsy Baron' at the Metropolitan Opera.

In motion pictures, Walter Slezak's career took quite a different path. He started in films in 1942, and just two years later, walked away with most of the acting honours for Alfred Hitchcock's claustrophobic thriller Lifeboat (1944). In it, he gave a compelling performance as the callous, methodical Nazi captain, who gradually assumes command of the vessel containing the survivors of the passenger ship torpedoed and sunk by his U-boat. Film critic Bosley Crowther, who had already been impressed with Slezak's previous performance as a Nazi agent in Once Upon a Honeymoon (1942), commented "Nor is he an altogether repulsive or invidious type. As Walter Slezak plays him, he is tricky and sometimes brutal, yes, but he is practical, ingenious and basically courageous in his lonely resolve. Some of his careful deceptions would be regarded as smart and heroic if they came from an American in the same spot" (New York Times, Jan.13 1944). The perceived incongruity of the enemy being portrayed with any sympathy whatever, resulted in criticism from other quarters for both the film and its director.

After 'Lifeboat', the ebullient Slezak appeared in a variety of lavish and colourful costume spectaculars: as a flamboyant pirate in the Bob Hope comedy The Princess and the Pirate (1944); as the reprehensible governor Don Alvarado, wooing Maureen O'Hara in the swashbuckler The Spanish Main (1945); and as yet another Spaniard, the boorish Don Pedro Vargas, having similar designs on Judy Garland in the MGM musical The Pirate (1948). He was also memorably evil as Sinbad's treacherous barber Melik in Sinbad, the Sailor (1947), the corrupt gumshoe Arnett in Robert Wise's gangster melodrama Born to Kill (1947), and as the scheming medicine-show man in The Inspector General (1949), starring Danny Kaye. (1949). He was again integral to the plot of Come September (1961), as enterprising major domo to Rock Hudson who secretly runs his employer's luxury villa as a hotel for eleven months of the year. Bosley Crowther described his comic performance as 'perfect'. Slezak further parodied his bad guy image in 'The Clock King' on TV's Batman (1966), then mellowed into the part of sagacious book dealer Strossel in The Wonderful World of the Brothers Grimm (1962) and the amiable Squire Trelawney in the 1972 version of 'Treasure Island'.

In his private life, Walter Slezak was known as an experienced pilot, a connoisseur of art, lover of chess and good books. His long career as one of the outstanding character players of his time ended with his retirement in 1980. Despondent over a series of debilitating medical problems, Slezak took his own life in April 1983.