One of the joys of William Wellman's pre-Code output, and one of the pleasure of the pre-Code era per se, is how apparent flaws sometimes just add flavor. The filmmakers of that era were mostly not aiming for perfection anyway, but concentrated on grinding 'em out like sausages, trying to preserve a decent overall quality, injecting some special spicy tang of their own devising whenever possible, but moving onto the next one as soon as they could.
The Star Witness (1931) is bizarre, exciting, funny/unfunny, brutal, and generally off-kilter in a way that makes for engaging viewing. If its qualities were transposed to a modern studio picture, we might find it in some way "unsatisfying," but it can certainly hold up its end of a double bill, as it is doing on Saturday, Feb 25 at the Wellman retrospective at New York's Film Forum.
The movie's worst move, really, is...
The Star Witness (1931) is bizarre, exciting, funny/unfunny, brutal, and generally off-kilter in a way that makes for engaging viewing. If its qualities were transposed to a modern studio picture, we might find it in some way "unsatisfying," but it can certainly hold up its end of a double bill, as it is doing on Saturday, Feb 25 at the Wellman retrospective at New York's Film Forum.
The movie's worst move, really, is...
- 2/16/2012
- MUBI
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