This is actually a quilt I completed before I stopped blogging - but it was still under wraps and sent off to Homespun magazine.
The 2015 issue is of course now long out of print, but I've been working hard to get a lot of my designs available as patterns, and this one is in my Etsy store.
I had loads of fun quilting this one, although it was so dense it took rather longer than I'd allowed for. I love the bubbles in the water.
Although it doesn't show up so much, the directional quilting along the pieced blue panels helps tie them together.
The rings were based on the pool toys my kids enjoy playing with so much when we go to the pool in summer - although somehow this quilt evokes images of deep diving in the Antarctic for me!

I'd always planned that this quilt would go nicely in the new room we were planning (and have now built - I'll share some photos of that at some point too) but somehow even though it would go perfectly with the deep blue feature wall, we've not hung it there.

It's been so long, I don't know where to start - or even if anyone is still around!

I had a brief break for quilting (a few months) which turned into nearly two years. Then I got locked out of here for a while. But I'm easing my way back into quilting - at my own pace now (no longer working for magazines, less pressure for making all those quilts as gifts) and thought it was time to start sharing what I've been working on and what you've missed.

So while I relearn how to blog, here's a little look at a newly finished quilt which just needs a label before I can deliver it:


Please say hi and let me know if you're still reading!

At AMQF last year, I was inspired by a gorgeous and remarkable quilt by Jamie Wallen which employed applique over organza layered over an otherwise wholecloth quilt sandwich. I sourced a few colours of polyester crystal organza and have been experimenting with layering and the effects I can create.


These are the three main fabrics I'm working with; a dark teal blue organza, an aqua batik/hand dye and an pale gold organza. The organzas are hard to photograph and took a while to edit in Photoshop to get them accurate, but I wanted to try and show the difference between the original appearance and how they appear layered (in progress below - even harder to photograph, although the colours are fairly true).


This is just a peek at what I'm working on at the moment. I have a vision of how it will turn out, but I suspect it will surprise me. I've actually ended up using quite different applique techniques and styles from the inspiration quilt, but plan to stick with the dense style of quilting from the original which I learned in the class I took - only I'll be incorporating my own elements.

Starting with some easy posts, this is another of the quilts I finished in the last few months. This one you saw almost to completion through several progress posts in October and November while we were waiting for the arrival of my nephew. Well, he certainly made waves as he arrived!


Having set a precedent of making beach scene quilts for the nieces and nephews on my husband's side of the family, this time I drew inspiration from my sister-in-law's husband who surfs rather than sails.


The waves were pieced together as a single unit, then sewn onto the reef section of water below.


I had planned to machine applique the waves to the sky, but decided hand stitching it would give a far better finish, so set to and did it by hand. I rarely do anything but the finishing of my quilts by hand, mostly because it's time consuming, but sometimes it's worth the effort. For example, I would never consider machine binding my quilts because I don't think the quality of the finish is good enough.


I decided not to try and put a surfer into the quilt, so instead there's a seagull bobbing in the waves.


And there is a sunken surfboard hidden in the reef:


Up at the top you'll notice a plane in the sky; I'm collecting a few different options for adding more interest; so far I have kites, hot-air balloons and now planes.


Making Waves in now in use by Aidan - I'd much rather see my baby quilts get loved and used and repeatedly washed than saved in a cupboard as too pretty to use.

Since my disappearance from here nearly six months ago, there has been quilting activity going on - thought not quite as much as there used to be. And every now and then I think about blogging, but it's hard to get back in the habit - and the longer I leave it, the worse it gets. I have a few quilts ready to share, so it's time for a concerted effort.


Jacaranda is a large lap quilt (in hind sight, I probably should have made it a bit larger so it could be a single bed quilt) which is in the current issue (March 2015, No 142) of Australian Homespun magazine. In a lucky coincidence, their photography timeframe for this issue coincided with when the jacarandas were in bloom last October/November, so it has been styled outside and looks fantastic with a jacaranda tree.


The block I created looks unintentionally a bit like a bear's paw block. The centre diamond uses a Tula Pink scallop print which matches the bluey purples and greens perfectly and adds a tiny pop of musky pink and soft burgundy. I dithered for ages about whether to make this a scrappy quilt or use the same pairing of green and blue/purple for the outer part of all the blocks. I let my stash determine my decision, but I suspect I may have preferred a more consistent appearance.


After the plumes were quilted/appliqued, the quilting was done in a largely allover manner, although I did allow the arcs of plumes to guide me, and the centre appliques got a slightly different treatment:


I particularly enjoyed the combination of piecing and applique in this quilt. It'll be travelling around with Homespun for a while, and then I plan to add it to the pile we use on the sofas in winter - even if its white background doesn't make it the most practical for frequent use.

I have a couple of recent finishes. While I'm sorting through the many photos of the one I can share, here's a peek at the one I can't share in full yet while I was quilting it:


You can see I was using some of the fabrics usually used in my beach scene quilts in a very different design.

This afternoon I pieced the sun and the sky of my current beach scene. It's all done as a single foundation-pieced section, with the sun pieced first, then the large sections of sky added afterwards. I drew out the sun on an A3 piece of paper and photocopied it before taping it in place to my full size pattern. I cut up the photocopy to use as templates for cutting the fabrics - I just have to remember to add the seam allowance as I go. But I have a different, no-waste method for the cutting the large pieces of sky.

Once I've selected my sky fabrics, I start by lying my marked sky foundation over the first sky fabric, so that there is enough for a generous 3/8 - 1/2in seam allowance all around, but otherwise at the edge of my fabric to minimise waste. I'll place a few pins inside the shape I'm going to cut, but nowhere else.

If there are curved edges to cut, I use an air-erasable fabric marker, and mark right on the lines - you need to go back and forth a few times to make the ink go through, but it's not hard. I just mark a dotted line:


It shows well enough, especially on pale sky fabrics, and will fade on its own:


Then I fold back the foundation and use scissors or a small rotary cutter to cut a generous seam allowance.

For the straight seams, I place my long ruler between the foundation and the sky fabric, again, leaving a generous seam allowance outside the marked sewing line. And again, I gently.fold back the foundation, and use a rotary cutter along the ruler:


And it's done:


When I sew it, it actually goes on top of the foundation, but I forgot to take a photo of the completed sky.

My preferred view of the beach is at my sewing table, creating my own beach made of fabric. Here are a few quick views in different directions yesterday while I was putting the water section together. I started in the afternoon.

Right in front of me is the section I was working on adding pieces to:


Behind that is piles of water prints (I'd just finished with the reef sections):


Above those, taped to the window, is my pattern, with sections in progress pinned to it:



To my left is a mountain of aforementioned reef and fish prints where I tossed them, awaiting refolding:


On the floor at my right are discarded trimmings, which I gathered and binned when I stopped at about 4am:


Back up on the window, this is how it looked at 4am with the sections all pieced, but not yet joined to each other:





And this is Eleanor at the beach last weekend:

Some things I might not usually say, randomly interspersed with overdue photos from our skiing holiday:


I can only go by my experience at the classes I attended and the few I walked by, but there's something I found a little frustrating at the Australian Machine Quilting Festival, and it was nothing to do with the organisation.


It's this. While it was wonderful to see the huge numbers attending classes by some of teachers who are currently the it-names in social media, it was really disappointing that there weren't so often the same numbers in the classes of some of the really experienced teachers. Because, frankly, I felt that's where the real value of AMQF was.


Don't get me wrong, all the teachers were good, but some were simply brilliant. There's art in quilting and there's an art to teaching.

(While I'm on it; we quilters are generally a nice bunch, so for anyone teaching - don't just ask for positive feedback! Constructive criticism can be incredibly beneficial, especially at an event such as AMQF where students are exposed to multiple teachers over a short space of time and are likely to be well-placed to explain how a class might be improved.)




Maybe it was unnecessary on my part, but I felt bad for them that the student numbers weren't there. And sorry for the students that didn't know what (and who) they were missing out on.

Every 2 years when AMQF comes around, there are usually a few specific international instructors who I've been wanting to take classes with who come out, and they're always at the top of my list; I tend to be fairly selective with my classes, but I do have a good look through all the offerings.


All the teachers get excellent and comprehensive writeups on the Festival website and are well promoted on the AMQF blog. And I admit I'm likely to stick to those I'm already keen to learn from. But over the years I have built up a pretty broad awareness of teachers in the quilting industry, and usually I know at least a bit about all of them.


I don't know what the solution is. Except next time, I'm going to be singing some praises in advance - after I've registered for all the classes I want, just to be safe!


In summary - fabulous festival and fabulous skiing and I can't wait until next time for either!

There's an imminent new arrival in our extended family, so it's time for me to get working on another version of my baby beach scenes. Simon suggested I incorporate surfing since the father is a keen surfer. That was the starting point for my designing, anyway.


I ended up with this row of (potentially surfable?!) waves which will go across the top of the reef/water section, and I started by piecing them.


I divided the waves into organic shapes, much like those I used in the much larger Australian scene and space quilts, which I could then piece from different colour water fabrics. The first step was to trace these onto mid-weight non-woven interfacing and mark some registration points along the curved seams to help piece thems evenly, then cut the pieces apart.


After carefully selecting the fabrics to use for each piece (colour, and a smooth gradation was the main consideration)I placed the interfacing patter piece directly on the fabric and drew around it with a air-erasable marker, adding the 1/4in seam allowance by eye as I went. I then added the registration marks and the piece number with a fine-tip permanent pen before cutting it out. I've saved all the interfacing pieces in case I want to do the waves again.


Then I pinned all the pieces in place on my pattern and checked I was happy with my fabric choices.


Then it was just a case of gradually sewing them all together, carefully easing the curves.



The wave section is all done now and will be pieced to the top of the reef/water section once that's done (the bottom is straight-ish).

I recently had a request for my possum pattern and agreed to sell it with the purchased Winter Harvest/Seasonal Tree pattern. By the time I'd prepared it to a standard I was happy with, I realised I'd created a mini pattern! So I've decided to add it to my Etsy shop as a pattern sheet.

It's designed to be a companion piece to the tree pattern, but can be purchased separately.


Here are a few things to know about it:

• It's a single A3 (roughly ledger size) page
• Postage is free with any other item
• It has the possum layout and pieces
• It tells you what fabrics to use and what order to place the pieces
• It tells you how to add the details to make it look like a cute possum
• It even explains that it's an Australian possum and not an opossum!
• BUT it does NOT cover standard fused applique procedure (that's covered in the tree pattern).
• If you want to put the possum in the tree, you'll probably want to enlarge the tree by around 125% or more (and it's ok to have an enlargement photocopied for personal use).

After more than seven years, I've finally made a few changes to the look of Sampaguita Quilts. In all that time, I've only tinkered around the edges, and the look of the blog has remained quite consistent. I don't like change, and I really did like the way it was, so it was a long time coming - and I've actually kept it pretty minimal although the changes are quite obvious.

Over the years I've had a few sporadic comments from people who found the pale text on black background difficult to read, but what really spurred me on (yes - several months ago!) was a few more of them when I was unfortunately forced into pushing you into coming here to read instead of being able to read all the content in a reader after I had content stolen. I didn't ignore those comments; I was coming to grips with the necessity, and sporadically finding time to look at the options and test out new headers etc...

In the end, I've kept the colour scheme but changed the colours around - and really haven't changed much else. I don't love the new look, but I can live with it. I plan to rotate the header on a semi regular basis - but then again, the current one fits nicely with the colour scheme, so maybe it'll stay!

In the meantime, I'm happy to take feedback - is it easier to read? I can't promise quick action though!

I have quite a list of quilty tasks to get done before the end of the year. So, inspired by my friend Andrea's blog post, I thought I'd share it. We have a bit of a habit of not-too-subtly reminding each other to keep on track when our motivation is running low, and sharing lots of fun chitchat and secret progress photos along the way. Just the sort of friend I need!

I've divided my list into two - essential and hopeful. They're roughly in order of deadline/priority and include a few quilting jobs. There's also plenty already on the early-2015 list as you can see...

Essential
Finish some quilt instructions
Beach scene baby quilt for imminent niece/nephew (unstarted)
Watery magazine quilt (started)
Quilting for Andrea (custom)
Up to 3 more quilting jobs
Help James quilt and finish his current quilt

Hopeful
Single bed quilt for nephew (partially designed)
Single bed quilt for another nephew (also partially designed)



Early 2015
Two magazine quilts
Commissioned quilt (in the design stages, will be big)
Baby quilt
Eleanor's bed quilt (I promise!)

There are also quite a few other 'one day' quilts  on another list somewhere, and I can't shake the feeling that I'm missing one or two from the lists above, too...


(The runner is all finished)

The red and white table runner is quite angular in design and not really suited to my usual quilting designs, so I took some of what I learned at AMQF and did something different, although I rather mashed together things from different classes and a bit of my own technique.


I didn't buy much while I  was there, but after seeing Jamie Wallen use these nested diamonds to such effect I bought several shape sets (and am kicking myself for not buying the two circle sets while I was at it!). You can see a few of the smaller ones in the background of the photo below. I started by randomly marking scattered diamonds around the background of the quilt.


Then I quilted along the marked lines and filled in some of the spaces, always leaving the outermost diamond border unquilted, but otherwise with plenty of variety. Some of them have just a big space in the centre with one fill, others are a bunch of concentric diamonds with every other row filled. And almost every fill is different.



It's all done freehand for a few reasons. First, I don't have a ruler foot (once I can get one for my machine - it's apparently in the works form a few directions) I will, and I know what ruler I want, too). Second, I couldn't be bothered chopping and changing feet - or being forced to turn the quilt all the time! And third, by the time the fill is quilted all around every line, you'd never know whether they were quilted perfectly straight or not. (Shh - don't tell anyone!) Plus, I'm reasonably confident in my ability to follow short, straight lines - and it's just good practice anyway.