Hi and servus!

Claudia here to share another tutorial with you as OCC's Resident Guest Designer. I hope by now you are already in full Christmas swing and my how-to finds you in perfect Christmas-blings-and-wings mood!

And maybe you are also in the mood for playing along with our actual "Topsy Turvy" challenge which can be found HERE. Don't forget - DecoArt are OCC's prize sponsor this month and are giving away a fantastic bundle of DecoArt media goodies to one lucky (randomly selected) winner! There are three more days to enter the challenge!




I created Gwendolyn (my little winged friend has a name of course) from white Fimo air microwave which is a polymer clay that can be hardened in the microwave within ten minutes (yesss!), creates no toxic fumes and is especially light weight. Perfect for a collection of angels to hang on your Christmas tree...

And as a rustic or naive look is what we are up to you can also try this with your kids as they are the best sculptors of all, right?

What else did I use to create Gwen?

- sculpting tools (or cutlery)
- DecoArt media fluid acrylics: Titanium White, Yellow Oxide, Quinacridone Magenta, Titan Buff, Burnt Umber
- DecoArt media fluid acrylic Interference Gold
- DecoArt "Gold Rush" Metallic Lustre
- paint brushes
- clay rolling tool (or rolling pin covered with plastic wrap)
- non stick sheet


First I sculpted Gwen's head using my fingers and some sculpting tools. If you don't have any scultping tools cutlery will do the job as well.

Don't worry if the face isn't too precise - a lot can be "saved" when painting the face. Also make sure you keep the rest of the clay in an air sealed box or bag so it doesn't dry out in the meantime.

Your angel also needs a bit of a bust to fix the dress and wings to. 



Using the rolling pin create the skirt by spreading the clay into an elongated oval of about a hand's width. Torn and uneven edges are more than welcome because they add to the rustic look! You can even tear off pieces once you have fixed and sculped the skirt around your angel's bust until you are content with the shape.

As you can see I created some folds and wrapped my rolled out "sheet of clay" around the neck. Smudge the upper edges of the skirt so it mixes with the clay of the head piece.



Model two simple arms and attach them to the bust the same way as you did with the skirt. Use a tool to press in the fingers' shapes.


Gwen's wings were done as quickly as easily. I simply pressed the clay flat with my hands and spread and tore the clay in all directions as needed. That also created the torn looking edges. Don't get too thin with the middle piece as this will be needed to fix the wings to the skirt on your angel's back.


To fix the wings to Gwen's dress I roughened the clay on both pieces at the spots that were to be fused with a sharp tool. That creates some "grip" for both pieces to hold on to.

Then it was time for Gwen to be hardened in the microwave. I used an old glass plate. To make sure that all parts kept their shapes I formed little balls of the clay and used them as supports (for the skirt and the slight bend with the wings).

I followed the instructions on the package and it went just perfect. No fumes, and really just ten minutes - and Gwen was ready to be painted. Wow! 



I mixed a skin colour from Titanium White, a tiny bit of Yellow Oxide and Quinacridone Magenta. To paint Gwen's face and hands I used a fine detail brush.


Then I painted her dress with Quinacridone Magenta. I also added paint to the inside of the dress so no white spots would be left.


Gwen's wings got a coat of Titan Buff.


Her hair was painted with Burnt Umber. (don't worry - this was just the base for the gold highlights).

 
Then it was time for the first addition of Bling by adding some Interference Gold here and there. Interference paints are perfect for "moving" (dangling) pieces, because depending on the angle you look at it you either see the colour underneath or the gold sheen.


 For more golden Bling and to highlight the texture on Gwen's wings, her hair and her dress, I applied some Gold Rush Metallic Lustre with my fingertips. Before that I dry brushed some Burnt Umber around the wings' edges to create a visible outline.



Here's Gwen's face in the middle of being painted. You could of course paint her face with more visible details (red cheeks and lips and such) - but I loved the gentle expression on her face so I only did a bit of highlighting and putting a hint of red to her cheeks. 



To hang your angel on your tree all you need to do is screw in a small ring bolt at the back to fix a ribbon to.

I hope you like Gwendolyn and have fun creating your own angels!

 

Hi everyone, Lys here!
I'm very happy today to introduce to you Pascale, from Scrap made in Touraine, a wonderful French artist who makes amazing creations, from scrapbooking to mixed media, which are always a great source of inspiration for me. I'll let her show you what she has made for my Topsy Turvy challenge...


Hello Sweeties,

I'm really thrilled to be guest DT here at Our Creative Corner and I want to thank Lys for the invitation. I chose to make a canvas for the "Topsy Turvy" challenge.







First I primed with two layers of white gesso the canvas. When dry, I added a design with a Alpha stencil with 3D Gloss Gel. I added the design in several place rotating the stencil every time.
When I'm not in an hurry, I let dry naturally for a better result. I continue to added the same design with Graphite paste.
Again I let dry, before adding a last round of design. This time I used white crackle paste.





When the background was completely dry, I sprayed a first layer of ink. Then I started my composition. I glued all the big elements such as the flowers, bulbs and metallic embellishments with 3D Gloss Gel. To glue the microbeads, I used Soft Gloss Gel.
I added a layer of white gesso on top of all the embellishments and let dry for a moment.
Then I added some Mica Powder, sprayed water, added more Mica until I was happy with the result. To finish, I mixed some Black Cherry Mica Powder with some Soft Gloss Gel and dry-brushed the flowers and micro beads with the metallic paint I obtained.