Alan Moore's Writing for Comics

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Alan Moore's Writing for Comics

Cover of the book
Author	Alan Moore
Illustrator	Jacen Burrows
Cover artist	Juan Jose Ryp
Language	English
Genre	Non-fiction
Publisher	Avatar Press
Publication date	2003
Publication place	United States
Media type	Paperback
Pages	48

Alan Moore's Writing for Comics is a 48-page paperback book published in 2003 by Avatar Press. The volume reprints a 1985 essay by Alan Moore on how to successfully write comics that originally appeared in the British magazine Fantasy Advertiser in four chapters, running from issue #92, August 1985, to issue #95, February 1986.

The book consists of the four chapters from the original essay along with a new essay written by Moore in 2003 reflecting on his earlier advice. The illustrations are by Jacen Burrows and the cover is by Juan Jose Ryp.^[1]

The first four chapters are a beginner's guide about writing, storytelling and plotting a comic book script. The final chapter, however, was written in 2003; it aims to provide a writing for comics course and advises the writer "never to get stuck in one writing style, always be open to try new things".^{[citation needed]} These chapters are:

• Chapter 1 – The Basic Idea: Thinking About Comics: this focuses on the idea behind the whole work of art, and what the writer intends to express in his or her work.
• Chapter 2 – Reaching The Reader: Structure, Pacing, Story Telling: this examines what is going on in the reader's mind and gives tips on how to keep the reader focused on the comic book.
• Chapter 3 – World Building: Place and Personality: the text suggests to possible comic book writers that they examine real-life characters, people they know throughout their life, in order to create realistic fictional characters. This chapter also gives hints about how to create a detailed universe, even if it means that the writer starts by creating economic structures.
• Chapter 4 – The Details: Plot and Script: this chapter aims to demolish the misunderstanding of the importance of plot. Moore delineates plot not as a list of things happening but more like a concept of time, contributing to the other elements of the art.
• Final Part – Afterwords: this subsequent addition to the original essay sums up and is a confession of all the wrong things Alan Moore told the readers eighteen years earlier in the first four chapters about how they could become a good writer. Moore suggests that writers who have already started their career should "simply try new and hard things they didn't think they could manage"^{[citation needed]} in order to become a better writer.

• Review at Comics Bulletin
• Review at Philippine Online Chronicles

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