Dan Corson (born 1964) is an artist living in Hawaii and is a former member of the Seattle Arts Commission. He works in the field of public art, creating large-scale, concept-driven works installed in urban environments including in parks, railway stations, art galleries, meditation chambers, at intersections, under freeways, and on sidewalks. His approach is a mixture of sculpture, installation, theatrical design, architecture, and landscape design. Media include metal, glass, concrete, fiberglass, gravel, LEDs, lasers, neon, solar panels, radar detectors, photo-voltaic cells, infrared cameras, motors, searchlights, and occasionally elements such as fire, water, and smoke.[1] His work frequently incorporates cutting-edge technology in lighting, sound, and other electronic media.[2][3]
Career
editCorson served as the first Artist-in-Residence for the City of Seattle's "% for Arts program" in 2001.[4] His work is often interactive and incorporates elements such as photoelectric switches which the spectator can trigger and cause the artwork to respond.[3] Typical is Emerald Aura a temporary laser sculpture in Memphis Tennessee that used Infrared cameras and surveillance software to track pedestrians and project the processed computer generated images back onto the people in real time. This installation is typical of Corson’s work in the way that it combine artistic expression with an implied statement about our culture.[5]
Some of Corson's works interact not with people, but with the environment. Examples include Nepenthes, whimsical fiberglass sculptures on sidewalks in Portland that are covered with photo-voltaic cells that glow at night,[6] and Sonic Bloom at Seattle's Pacific Science Center which features solar panels and gigantic metal flowers that light up at night. The flowers also hum when people approach them.[7] In 1994 the city of Seattle selected Corson to integrate art into the new Cedar River Watershed Education Center. In characteristic fashion he exploited the natural resources of the site–for example using falling water to create a musical artwork in the Rain Drum Courtyard.[8]
His theatrical set and lighting designs have been featured at the ACT Theatre, Annex Theatre, and On the Boards in Seattle, at Young Vic in London, and at the San Diego Rep and the Old Globe in San Diego.[9]
Life
editCorson was born in Glendale, California.[2] He received a Bachelor of Arts in theatrical design from San Diego State University in 1986 and a Master of Fine Arts in sculpture from the University of Washington in 1992.[6] He was a Scholar at the Skowhegan School of Painting and Sculpture in 1991.[10] He studied glass-blowing and neon fabrication at the Pilchuck Glass School in 1993, 1994, and 1996.[1][4]
After graduating from San Diego State University, he went to London for two years doing theater design and working with lighting designer David Hersey.[1]
Corson has been together with his husband Berndt Stugger since 1997 and their Washington State Civil Union was converted into an official Marriage in 2014.[11] Both Corson and Stugger are avid gardeners with a passion for tropical gardening. This botanical fascination can clearly be seen in Corson’s work. In 2010 they purchased some old sugarcane land in Hawaii Island and have transformed it into a small cacao farm.[12]
Works
editCorson has often collaborated in public art projects, for example working with fellow artists Norie Sato, Sheila Klein, and Tad Savinar on Seattle's Sound Transit Link Light Rail project in 1998.[13] Corson is a prolific artist and it is not practical to list all of his creations; a selected list of works is shown below.
- 2002 Wave Rave Cave, Seattle[14]
- 2003 Antennae Reeds, Seattle (with Norie Sato)[15]
- 2005 Rain Drum Courtyard, North Bend, Washington[16]
- 2007 Safety Spires, Seattle[17]
- 2007 Emerald Laser Lawn, Fort Lauderdale, Florida[18]
- 2007 Luminous Conjunctions, Fort Lauderdale, Florida[19]
- 2008 Emerald Aura, Memphis, Tennessee[20]
- 2009 The Root, Bellevue, Washington[21]
- 2009 Grotesque Arabesque, Seattle[22]
- 2009 Empyrean Passage, West Hollywood, California[23]
- 2009 Oscillating Field, Seattle[24]
- 2013 Nepenthes, Portland, Oregon[6]
- 2013 Sonic Bloom, Seattle[4]
- 2013 Rays, Council Bluffs, Iowa[3]
- 2015 Shifting Topographies, Oakland, California[25]
- 2015 Coherence, Des Moines, Iowa[26]
- 2015 Nebulous, Seattle[27]
- 2015 Sensing YOU and Sensing WATER, San Jose, California[28]
Awards
edit- 1998 Artist Trust GAP award[9]
- 2001 PAN Year in Review Award for Cedar River Watershed Visitors Center[8]
- 2003 ASLA Washington Chapter Honor Award[15]
- 2004 ASLA Design Award of Merit for Cedar River Watershed Education Center[29]
- 2006 National AIA Housing Committee Award and AIA 2004 Seattle Honor Award[15]
- 2006 PAN Year in Review Award for Wave Rave Cave[30]
- 2007 PAN Year in Review Award for Emerald Laser Lawn[18]
- 2007 PAN Year in Review Award for Safety Spires (in collaboration with Norie Sato)[31]
- 2009 PAN Year in Review Award for Empyrean Passage[32]
- 2010 PAN Year in Review Award for Emerald Aura and Oscillating Field[20]
References
edit- ^ a b c A Man With Big Designs–Undaunted Innovator On Theater Sets, Dan Corson Now Makes The Whole World His Stage, by Misha Berson, Theater Critic,Seattle Times, June 3, 1999
- ^ a b City of Santa Monica Cultural Affairs - Digital Divide by Dan Corson, Digital Divide
- ^ a b c "Iowa West Foundation Public Art: Rays Interactive Light Environment". Archived from the original on 2015-04-30. Retrieved 2015-06-05.
- ^ a b c "Pacific Science Center: Sonic Bloom - Now Open". Archived from the original on 2015-04-27. Retrieved 2015-06-05.
- ^ UrbanArt Commission Looks to Color Downtown, by Andy Meek Memphis Daily News
- ^ a b c Art and Architecture: Nepenthes in Portland, Oregon, by Dan Corson
- ^ Smithsonian Magazine: Sonic Bloom! A New Solar-Powered Sculpture
- ^ a b Seattle's Public Art: Dan Corson, Cedar River Watershed
- ^ a b Frye Art Museum, Degenerate Art Ensemble’s Red Shoes Artist Bios: Dan Corson
- ^ Skowhegan School of Painting & Sculpture: Alumni Database
- ^ Berndt Stugger & Dan Corson The Seattle Times Company: Joyous Occasions, July 5, 2014
- ^ Hamakua: The Breath of the Gods Our Story
- ^ Longtime light-rail artist Norie Sato is ‘curator’ of Link station art by Michael Upchurch, Seattle Times, Jul 11, 2009
- ^ 'Wave Rave Cave' is artwork by day, club-scape by night by David Eggert, Seattle Post-Intelligencer, Aug 30, 2002
- ^ a b c Museum Without Walls: Antennae Reeds by Dan Corson
- ^ Immerse yourself (not literally) in the wilderness of the Cedar River Watershed by Carol Pucci, Seattle Post-Intelligencer, Apr 14, 2005
- ^ Public Art Network: Year in Review - 2006: Safety Spires, by Dan Corson, with Norie Sato
- ^ a b Americans for the Arts: public art network year in review database
- ^ Public Art Network: Year in Review - 2007: Luminous Conjunctions, by Dan Corson
- ^ a b Public Art Network: Year in Review - 2010: Emerald Aura, by Dan Corson
- ^ The Root, Public Art Archive, City of Bellevue, 2009
- ^ Dan Corson, a prolific public artist, offers a spellbinding interpretation of a cave this fall at Suyama Space by Rachel Shimp, The Seattle Times, Nov 1, 2009
- ^ Public Art Network: Year in Review - 2009: Empyrean Passage, by Dan Corson
- ^ Public Art Network: Year in Review - 2010: Oscillating Field, by Dan Corson
- ^ Shifting Topographies takes inspiration from nature, car culture, and the chameleon by Rachel Pincus, PSFK, Apr 7, 2015
- ^ Lasers to light up gallery at Iowa State by Michael Morain, Des Moines Register, Mar 2, 2015
- ^ Of Course Seattle's Newest Sculpture Resembles a Cloud by John Metcalfe, Atlantic Magazine: CityLab, October 15, 2015
- ^ 'Blue doughnuts' on underpass transformed into animated light show in downtown San Jose by David E. Early, San Jose Mercury News, December 11, 2015
- ^ 2004 ASLA PROFESSIONAL AWARDS: DESIGN AWARD OF MERIT
- ^ Museum Without Walls: Wave Rave Cave by Dan Corson
- ^ Sound Transit OCS Poles Win National Art Award June 11, 2007
- ^ "Seattle Office of Arts & Cultural Affairs Press Release 6/23/2009". Archived from the original on 2015-04-18. Retrieved 2015-06-05.
